Sunday, June 18, 2017

The Adventures of Ozzie and Harriet


Around here, we're big fans of The Adventures of Ozzie and Harriet. In honor of Father's Day, we'll go with one of our favorite radio and television father's - Ozzie Nelson!

Happy Father's Day!

The Adventures of Ozzie and Harriet is an American sitcom, airing on ABC from October 3, 1952 to September 3, 1966, starring the real life Nelson family. After a long run on radio, the show was brought to television where it continued its success, running on both radio and TV for a couple of years. The series starred Ozzie Nelson and his wife, singer Harriet Nelson (née Hilliard), and their young sons, David Nelson and Eric Nelson, better known as Ricky. Don DeFore had a recurring role as the Nelsons' friendly neighbor "Thorny". The series attracted large audiences, and although it was never a top-ten hit, it became synonymous with the 1950s ideal American family life. It is the longest-running live-action sitcom in US TV history.

When Red Skelton was drafted in March 1944, Ozzie Nelson was prompted to create his own family situation comedy. The Adventures of Ozzie and Harriet launched on CBS on October 8, 1944, moving to NBC in October 1948, and making a late-season switch back to CBS in April 1949. The final years of the radio series were on ABC (the former NBC Blue Network) from October 14, 1949 to June 18, 1954. In total 402 radio episodes were produced. In an arrangement that amplified the growing pains of American broadcasting, as radio "grew up" into television, the Nelsons' deal with ABC gave the network the option to move their program to television. The struggling network needed proven talent that was not about to defect to the more established and wealthier networks like CBS or NBC.

The Nelsons' sons, David and Ricky, did not join the cast until the radio show's fifth year (initially appearing on the February 20, 1949 episode). The two boys were played by professional actors prior to their joining because both were too young to perform. The role of David was played by Joel Davis from 1944 until 1945 when he was replaced by Tommy Bernard. Henry Blair appeared as Ricky. Other cast members included John Brown as Syd "Thorny" Thornberry, Lurene Tuttle as Harriet's mother, Bea Benaderet as Gloria, Janet Waldo as Emmy Lou, and Francis "Dink" Trout as Roger.

Ozzie and Harriet has long been one of my favorite radio programs and classic television shows. Corny perhaps by today's standards some might say, but there's a wholesome, genuine quality that really appeals to me.

Saturday, May 20, 2017

Nightfall


Nightfall is the title of a radio drama series produced and aired by CBC Radio from July 1980 to June 1983. While primarily a supernatural/horror series, Nightfall featured some episodes in other genres, such as science fiction, mystery, fantasy, and human drama. One episode was even adapted from a folk song by Stan Rogers. Some of Nightfall's episodes were so terrifying that the CBC registered numerous complaints and some affiliate stations dropped it. Despite this, the series went on to become one of the most popular shows in CBC Radio history, running 100 episodes that featured a mix of original tales and adaptations of both classic and obscure short stories.

 Nightfall was the brainchild of producer Bill Howell, who was best known at the time for his work on CBC Playhouse and the cult favorite adventure series, Johnny Chase: Secret Agent of Space. (Howell later went on to be executive producer of CBC Radio's highly-popular series, The Mystery Project, which ran from 1992 to 2004.) When CBC Radio was revamped and given an expanded budget in 1980, Howell approached the newly appointed head of radio drama, Susan Rubes, about his idea for a supernatural/horror anthology series that would push the envelope. Though not a fan of the horror genre, Rubes recognized a hit when she saw one and gave Howell the green light to begin production.

Bill Howell served as executive producer of Nightfall at CBC Toronto for the first two seasons. The reins were passed for the third season to veteran CBC Radio producer Don Kowalchuk (Doctor Bundolo's Pandemonium Medicine Show) at CBC Vancouver.

Nightfall featured two hosts during its run. The Toronto years (1980–1982) were hosted by "the mysterious Luther Kranst", a character created by Bill Howell's devious imagination and played by character actor Henry Ramer. For its Vancouver run (1982–1983), Don Kowalchuk worked with voice actor Bill Reiter to develop the character of Frederick Hende.

Nightfall episode plot summaries can be found here - http://www.otrplotspot.com/nightfall.html


Thursday, May 18, 2017

The Weird Circle


The Weird Circle premise is noteworthy: an anthology of classic, supernatural mystery thrillers from the pens of the world's best known and respected supernatural fiction authors. The scripts--with rare few exceptions--acquit themselves well for the genre. 

The supernatural thriller genre was highly popular throughout the mid-1930s, right on through the mid-1950s over Radio.

 The Weird Circle was an RCA-syndicated feature from RCA Recorded Program Services, the independent programming production division of RCA Victor. Its sound quality, voice talent, and production values meet traditionally high RCA standards. As a consequence of those standards, the resulting recordings have stood the test of time--a huge bonus for Golden Age Radio transcriptionists, preservationists and collectors.

 The program was reportedly recorded out of RCA's New York Studios, and almost immediately licensed to both NBC-Red/RCA [WEAF] and the Mutual Broadcasting System [WOR and W-G-N], consisting of two, 39-script seasons of 25-minute productions, for local sponsors and networks alike. As illustrated in the Provenances section, NBC [RCA] created their own set of transcription disks as well, as did the Armed Forces Radio and Television Service (AFRTS).



 Sponsors varied as the series was picked up throughout affiliate stations across the U.S. One incarnation of note was Ogden Fine Cut Tobacco's sponsorship of The Weird Circle, packaged as the Odgen's Playhouse. Ogden's Playhouse didn't air the run in transcription order over U.S. stations. It aired other features under the Ogden's Playhouse banner as well. In Canada however, Ogden's Playhouse aired The Weird Circle series weekly without other intervening productions. Other sponsors of note were the Farr Ice Cream Company [West Coast], 7-Up [Arizona], and Remar's Bread [West Coast].



 The Weird Circle's earliest airing appears to have been over Chicago's W-G-N, a founding Mutual Broadcasting System station, as a sustaining program for its first season (the program aired as two syndicated seasons of productions). Previous difficulty in nailing down the program's episode sequence and earliest broadcast run are probably contributing factors in the poor results of past efforts to document this otherwise highly collectable program.

Wednesday, May 10, 2017

The Bob Hope Show



Bob Hope, born Leslie Townes Hope, (May 29, 1903 – July 27, 2003) was an English-born American comedian and actor who appeared on Broadway, in vaudeville, movies, television, and on the radio. He was noted for his numerous United Service Organizations (USO) shows entertaining American military personnel—he made 57 tours for the USO between 1942 and 1988. Throughout his long career, he was honored for this work. In 1996, the U.S. Congress declared him the "first and only honorary veteran of the U.S. armed forces."

Over a career spanning 60 years (1934 to 1994), Hope appeared in over 70 films and shorts, including a series of "Road" movies co-starring Bing Crosby and Dorothy Lamour. In addition to hosting the Academy Awards fourteen times, he appeared in many stage productions and television roles, and was the author of fourteen books. He participated in the sports of golf and boxing, and owned a small stake in his hometown baseball team, the Cleveland Indians. He was married to Grace Troxell from 1933 until 1934 and to Dolores Hope from 1934 until his death.

In the early days, Hope's career included appearances on stage in Vaudeville shows and Broadway productions. He began performing on the radio in 1934 and switched to television when that medium became popular in the 1950s. He began doing regular TV specials in 1954, and hosted the Academy Awards fourteen times in the period from 1941 to 1978. Overlapping with this was his movie career, spanning the years 1934 to 1972, and his USO tours, which he did from 1942 to 1988.

Hope's career in broadcasting began on radio in 1934. His first regular series for NBC Radio was the Woodbury Soap Hour in 1937, a 26-week contract. A year later, The Pepsodent Show Starring Bob Hope began, and Hope signed a ten-year contract the show's sponsor, Lever Brothers. The show became the top radio program in the country. Regulars on the series included Jerry Colonna and Barbara Jo Allen as spinster Vera Vague. Hope continued his lucrative career in radio through to the 1950s, when radio's popularity was overshadowed by television.

For a more detailed account of the legendary Bob Hope's personal and professional life, start with his Wikipedia Page.

Saturday, April 22, 2017

The Black Museum



The Black Museum was a 1951 radio crime-drama program independently produced by Harry Alan Towers and based on real-life cases from the files of Scotland Yard's Black Museum. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Although often mistakenly cited as being produced for the BBC, the series was produced and syndicated
commercially by Towers throughout the English-speaking world.

 Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. The show's opening began:

"This is Orson Welles, speaking from London."
(Sound of Big Ben chimes)
"The Black Museum... a repository of death. Here in the grim stone structure on the Thames which houses Scotland Yard is a warehouse of homicide, where everyday objects... a woman’s shoe, a tiny white box, a quilted robe... all are touched by murder."

Walking through the museum, Welles would pause at one of the exhibits, and his description of an artifact served as a device to lead into a wryly-narrated dramatised tale of a brutal murder or a vicious crime. In the closing:

"Now until we meet again in the same place and I tell you another tale of the Black Museum", Welles would conclude with his signature radio phrase, "I remain, as always, obediently yours".

With the story themes deriving from objects in the collection (usually with the names of the people involved changed but the facts remaining true to history), the 52 episodes had such titles as "The Tartan Scarf" and "A Piece of Iron Chain" or "Frosted Glass Shards" and "A Khaki Handkerchief". An anomaly to the series was an episode called "The Letter" as this was the only story not about murder, but about forgery.

In the United States, the series aired on the Mutual Network between January 1 and December 30, 1952.

Beginning May 7, 1953, it was also broadcast over Radio Luxembourg sponsored by the cleaning
products Dreft and Mirro. Since the BBC carried no commercials, Radio Luxembourg aired sponsored programs at night to England.

In the United States, there was a contemporary programme called Whitehall 1212 written and directed by Wyllis Cooper and broadcast by NBC, that was similar in scope to The Black Museum. It was hosted by Chief Superintendent John Davidson, curator of the Black Museum. It used many of the same picked cases as The Black Museum, and it nearly mirrored its broadcast run. The two shows


were different in the respect that while Whitehall 1212 told the story of a case entirely from the point of view of the police starting from the crime scene, The Black Museum was more heavily dramatized and played out scenes of the actual murders and included scenes from the criminal's point of view.



Trivia:

Two episodes, "The Car Tire" and "The Gas Receipt," were the same story with minor differences between the two. Another pair of episodes, "The Baby's Jacket" and "The Spectacles," were based on the same case, as were "The Tan Shoe" and "The Leather Bag."

Four famous murder cases were dramatized on The Black Museum: John George Haigh, the "Acid Bath Murderer"; George Joseph Smith, the "Brides in the Bath Murderer"; Adelaide Bartlett, whose husband died from chloroform poisoning; and Florence Maybrick, who allegedly used arsenic from fly-paper to murder her husband James Maybrick (who was recently suspected of being Jack the Ripper courtesy of the 1993 publication of The Diary of Jack the Ripper).

In "Open End Wrench" it's mistakenly stated that the culprit was executed in Dartmoor. No 20th century executions were carried out in Dartmoor. Built during the Napoleonic Wars to contain French and American POWs, it was, after lying idle from 1815 to 1850, later commissioned as a convict gaol and used for dangerous long-term prisoners only.

Perry Mason



Perry Mason is a radio crime serial based on the novels of Erle Stanley Gardner. Broadcast weekdays on CBS Radio from 1943 to 1955, the series was adapted into The Edge of Night which ran on television for an additional 30 years.

 The 15-minute continuing series Perry Mason aired weekdays October 18, 1943 – December 30, 1955, on CBS Radio. Geared more towards action than courtroom drama, it mixed mystery and soap opera, with attorney Perry Mason sometimes even exchanging gunfire with criminals.

Erle Stanley Gardner's literary success with the Perry Mason novels convinced Warner Bros. to try its hand, unsuccessfully, with some motion pictures. However, the Perry Mason radio show stayed on the air for 12 years.

As The Edge of Night, it ran for another 30 years on television, but Gardner disliked the proposed daytime television version due to a lack of his own creative control. He ultimately withheld his endorsement of the daytime TV show, forcing the name change.

The actors portraying Mason switched frequently over the first three years of the show's run, starting with Bartlett Robinson, then followed by Santos Ortega and Donald Briggs. John Larkin took over the starring role March 31, 1947, and portrayed Perry Mason until the end of the series.

Radio's Perry Mason has more in common, in all but name, with the daytime serial The Edge of Night than the subsequent prime-time Perry Mason television show. As many radio serials moved to television, so was to be the destiny of Perry Mason. However, Gardner disagreed with the direction of the new show and pulled his support. The sponsor, Procter & Gamble hired the writers and staff of the Perry Mason radio series, the show was retooled, and it became The Edge of Night. The characters and setting were renamed. Gardner eventually aligned himself with the nighttime courtroom drama.

The Edge of Night was conceived as the daytime-TV version of Perry Mason. Mason's creator, Erle
Stanley Gardner, was to create and write the show, but a last-minute tiff between him and CBS caused Gardner to pull his support. CBS insisted that Mason be given a love interest to placate daytime soap opera audiences, but Gardner flatly refused to take Mason in that direction. Gardner would eventually patch up his differences with CBS and Perry Mason would debut in prime time in 1957.

Two actors who played Perry Mason on radio, Bartlett Robinson and John Larkin, appeared in episodes of the CBS-TV series, Perry Mason, starring Raymond Burr.

Thursday, April 20, 2017

Lights Out



Lights Out is an American old-time radio program devoted mostly to horror and the supernatural. Created by  Wyllis Cooper and then taken over by Arch Oboler, versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. Lights Out was one of the earliest radio horror programs, predating Suspense and Inner Sanctum.



The Wyllis Cooper era

In the fall of 1933, NBC writer Wyllis Cooper conceived the idea of "a midnight mystery serial to catch the attention of the listeners at the witching hour." The idea was to offer listeners a dramatic program late at night, at a time when the competition was mostly airing music. At some point, the serial concept was dropped in favor of an anthology format emphasizing crime thrillers and the supernatural. The first series of shows (each 15 minutes long) ran on a local NBC station, WENR, at midnight Wednesdays, starting in January 1934. By April, the series proved successful enough to expand to a half hour. In January 1935, the show was discontinued in order to ease Cooper's workload (he was then writing scripts for the network's prestigious Immortal Dramas program), but was brought back by huge popular demand a few weeks later. After a successful tryout in New York City, the series was picked up by NBC in April 1935 and broadcast nationally, usually late at night and always on Wednesdays. Cooper stayed on the program until June 1936, when another Chicago writer, Arch Oboler, took over. By the time Cooper left, the series had inspired about 600 fan clubs.

The Arch Oboler era

When Cooper departed, his replacement—a young, eccentric and ambitious Arch Oboler—picked up where he left off, often following Cooper's general example but investing the scripts with his own concerns. Oboler made imaginative use of stream-of-consciousness narration and sometimes introduced social and political themes that reflected his commitment to antifascist liberalism.

Although in later years Lights Out would be closely associated with Oboler, he was always quick to credit Cooper as the series' creator and spoke highly of the older author, calling him "the unsung pioneer of radio dramatic techniques" and the first person Oboler knew of who understood that radio drama could be an art form.

Like Cooper, Oboler was much in demand and highly prolific. While working on Lights Out, he wrote numerous dramatic sketches for variety shows (The Chase and Sanborn Hour, Rudy Vallee's programs), anthologies (Grand Hotel, The First Nighter Program, The Irene Rich Show) and specials. In August 1936, singer Vallee, then the dean of variety show hosts, claimed that Lights Out was his favorite series. Oboler occasionally redrafted his Lights Out scripts for use on Vallee's and other variety hours. A version of Oboler's "Prelude to Murder" starring Peter Lorre and Olivia de Havilland was scheduled to air on a November 1936 Vallee broadcast. Other Lights Out plays that turned up on various late 1930s variety programs included "Danse Macabre" (with Boris Karloff), "Alter Ego" (with Bette Davis) and "The Harp."

Oboler met the demand by adopting an unusual scripting procedure: He would lie in bed at night, smoke cigarettes, and improvise into a Dictaphone, acting out every line of the play. In this way, he was able to complete a script quickly, sometimes in as little as 30 minutes, though he might take as long as three or four hours. In the morning, a stenographer would type up the recording for Oboler's revisions. Years later, Rod Serling, who counted radio fantasists like Cooper, Oboler, and Norman Corwin among his inspirations, would use a similar process to churn out his many teleplays for The Twilight Zone, a series that in many respects was to television what Lights Out was to radio.

Wednesday, April 19, 2017

Mystery Playhouse


Mystery Playhouse was an American radio drama hosted by Peter Lorre which aired on the American Forces Network from July 1944–June 1946.

The series aired during World War II specifically for the purposes of entertaining the troops serving during the war.


Mystery Playhouse was created by the American Forces Network in 1944 for the entertainment of the troops during World War II.

Every week, the series aired rebroadcast of episodes of many popular radio shows of the time. Some include rebroadcast of The Whistler, Mr. and Mrs. North, Inner Sanctum Mystery, and Nero Wolfe.

Peter Lorre's way of introducing each episode was noted as "...part plot summary, and part philosophical about the human condition".

These are two typical intros that a viewer could find when watching the series;

Host: "Two pairs of footsteps echoed down the alley. He stopped. Waited. Waited for Jack the Ripper to Strike! But this is not London in 1888. No, this is Chicago in 1945! Yet, Jack the Ripper is loose again to knife, to butcher his victims... without a trace!"

Host: "Hello... Creeps. This is Peter Lorre opening the doors to the Mystery Playhouse. If you recall, some 50 years ago, London was terrorized by a one man crime wave. A murderer, who was never captured and never seen. And tonight, we follow the investigations of Sir Guy Holless, who firmly believes that Jack the Ripper is still alive. That it is he that is the fiend, that once again slashes and kills! There is an element of the supernatural in this story, that will amaze you. For it seems that the spirit world has given the black heart of Jack the Ripper, the power of everlasting life!"

Tuesday, April 18, 2017

The Man Called X



The Man Called X is an espionage radio drama which aired on CBS and NBC from July 10, 1944 to May 20, 1952. Herbert Marshall had the lead role of agent Ken Thurston/"Mr. X" who took on dangerous cases in a variety of exotic locations. Gordon Jenkins Orchestra supplied the background music.

 Leon Belasco played Mr. X's comedic sidekick, Pegon Zellschmidt, who always turned up in remote parts of the world because he had a "cousin" there. Pegon would annoy and help Mr. X.

Wendell Niles was the announcer.

The series was created by Jay Richard Kennedy who later adapted The Man Called X as a 39 episode syndicated Television series (1956-57) starring Barry Sullivan as Thurston for Ziv Television.

Quiet, Please





Quiet, Please was a radio fantasy and horror program created by Wyllis Cooper, also known for creating Lights Out. Ernest Chappell was the show's announcer and lead actor. Quiet, Please debuted June 8, 1947 on the Mutual Broadcasting System, and its last episode was broadcast June 25, 1949, on the ABC network. A total of 106 shows were broadcast, with only a very few of them repeats.

 Earning relatively little notice during its initial run, Quiet, Please has since been praised as one of the finest efforts of the golden age of American radio drama.


Quiet, Please was produced at WOR in New York City, and began on the Mutual Network on June 8, 1947. Beginning in September, 1948, it was syndicated by ABC, though CBS executive Davidson Taylor expressed an interest in the show, writing in a memo in March 1948,


 Each episode began with Chappell intoning the show's title, followed by a long pauseCésar Franck's 1899 Symphony in D Minor. The introduction established the sparse, understated tone of the show, and has inspired collectors and reviewers to remark upon Cooper's use of the dramatic power of silence.
(sometimes up to seven seconds), before repeating the title. Then, the show's theme music was played, a dirgey, funereal organ and piano version of a portion of the second movement of


Though the general thrust of the stories were fantasy, horror and suspense, Quiet, Please scripts covered a broad thematic range, including romance, science fiction, crime, family drama and humor (some of it quite self-deprecating).


"The Thing on the Fourble Board"


Probably the most highly regarded episode of Quiet, Please is "The Thing on the Fourble Board" (August 9, 1948), about an oil-field worker who encounters a mysterious subterranean being hiding on the derrick's catwalk. The unusual title is a bit of oil worker argot: the "fourble board" of an oil derrick is a narrow catwalk that is as high up as four lengths of drilling pipe placed vertically (two lengths of pipe are a "double", three are a "thribble" and four are a "fourble.")

 The story effectivness has led some fans to label the episode one of the best radio horror programs ever broadcast. Richard J. Hand of the University of Glamorgan notes that "The Thing on the Fourble Board" is not only cited as the finest example of radio horror, but occasionally cited as one of best examples of radio drama as a whole. Especially effective was Cecil Roy's vocal performance as the creature. Though she performs only very briefly, Roy's vocal (barely recognizable as human) was cited as still startling and chill-inducing even after decades.

Monday, April 17, 2017

Inner Sanctum Mystery


Inner Sanctum Mystery, also known as Inner Sanctum, a popular old-time radio program that aired from January 7, 1941 to October 5, 1952, was created by producer Himan Brown and was based on the generic title given to the mystery novels of Simon and Schuster. In all, 526 episodes were broadcast.

This anthology series featured stories of mystery, terror and suspense, and its tongue-in-cheek introductions were in sharp contrast to shows like Suspense and The Whistler. The early 1940s programs opened with Raymond Edward Johnson introducing himself as, "Your host, Raymond," in a mocking sardonic voice. A spooky melodramatic organ score (played by Lew White) punctuated Raymond's many morbid jokes and playful puns. Raymond's closing was an elongated "Pleasant dreeeeaams, hmmmmm?" His tongue-in-cheek style and ghoulish relish of his own tales became the standard for many such horror narrators to follow, from fellow radio hosts like Ernest Chappell (on Wyllis Cooper's later series, Quiet, Please) and Maurice Tarplin (on The Mysterious Traveler).

When Johnson left the series in May 1945 to serve in the Army, he was replaced by Paul McGrath, who did not keep the "Raymond" name and was known only as "Your Host" or "Mr. Host". (Berry Kroeger had substituted earlier for a total of four episodes). McGrath was a Broadway actor who turned to radio for a regular income. Beginning in 1945, Lipton Tea sponsored the series, pairing first Raymond and then McGrath with cheery commercial spokeswoman Mary Bennett (aka the "Tea Lady"), whose blithesome pitches for Lipton Tea contrasted sharply with the macabre themes of the stories. She primly chided the host for his trademark dark humor and creepy manner.

The program's familiar and famed audio trademark was the eerie creaking door which opened and closed the broadcasts. Himan Brown got the idea from a door in the basement that "squeaked like Hell." The door sound was actually made by a rusty desk chair. The program did originally intend to use a door, but on its first use, the door did not creak. Undaunted, Brown grabbed a nearby chair, sat in it and turned, causing a hair-raising squeak. The chair was used from then on as the sound prop. On at least one memorable occasion, a staffer innocently repaired and oiled the chair, thus forcing the sound man to mimic the squeak orally.

Its campy comedy notwithstanding, the stories were usually effective little chillers, mixing horror and humor in equal doses. Memorable episodes included "Terror by Night" (September 18, 1945) and an adaptation of "The Tell-Tale Heart" (August 3, 1941). The latter starred Boris Karloff, who was heard regularly in the first season, starring in more than 15 episodes and returning sporadically thereafter.


Other established stars in the early years included Mary Astor, Helen Hayes, Peter Lorre, Paul Lukas, Claude Rains, Frank Sinatra, Orson Welles. Most of the lead and supporting players were stalwarts of New York radio. These included Santos Ortega, Larry Haines, Ted Osborne, Luis van Rooten, Stefan Schnabel, Ralph Bell, Mercedes McCambridge, Berry Kroeger, Lawson Zerbe, Arnold Moss, Leon Janney, Myron McCormick, Ian Martin, and Mason Adams. Players like Richard Widmark, Everett Sloane, Burgess Meredith, Agnes Moorehead, Ken Lynch, Anne Seymour, and Santos Ortega also found fame or notability in film or television.
Of more than 500 programs broadcast, only about 200 remain in circulation, sometimes minus dates or titles.

A series of six low-budget Universal Horror movies starring Lon Chaney, Jr. and based on the radio show was produced in the 1940s: Calling Dr. Death (1943), Weird Woman (1944), Dead Man's Eyes (1944), The Frozen Ghost (1945), Strange Confession (1945) and Pillow of Death (1945).A Film Classics release Inner Sanctum was made in 1948.



The 1954 syndicated television series featured Paul McGrath as the off-camera host/narrator. The TV shows were produced at the Chelsea Studios in New York City.


In the 1970s, with his CBS Radio Mystery Theater series, Himan Brown recycled both the creaking door opening, and to a lesser extent, the manner of Raymond. The hosts were E. G. Marshall and Tammy Grimes. In later repeats during the 1990s, Brown himself mimicked Raymond's "Pleasant dreeeeaaams, hmmmmm?" for the familiar closing.

Sunday, April 16, 2017

Night Beat



Night Beat was a radio drama series that aired on NBC from February 6, 1950 until September 25, 1952, sponsored by Pabst Blue Ribbon Beer and Wheaties.

Frank Lovejoy starred as Randy (originally "Lucky") Stone, a reporter who covered the night beat for the Chicago Star, encountering criminals and troubled souls. Listeners were invited to join Stone as he "searches through the city for the strange stories waiting for him in the darkness." Ripperologist editor Paul Begg offered this description of the series:
Broadcast on NBC, Nightbeat... starred Frank Lovejoy as Randy Stone, a tough and streetwise reporter who worked the nightbeat for the Chicago Star, looking for human interest stories. He met an assortment of people, most of them with a problem, many of them scared, and sometimes he was able to help them, sometimes he wasn’t. It is generally regarded as a "quality" show, and it stands up extremely well. Frank Lovejoy (1914-1962) isn’t remembered today, but he was a powerful and believable actor with a strong delivery, and his portrayal of Randy Stone as tough guy with humanity was perfect. The scripts were excellent, given that they had to cover much in a short time. There was a good supporting cast, orchestra and sound effects. "The Slasher," broadcast on 10 November 1950, the last show of season one, has a very loosely Ripper-derived plot in which Stone searches for an artist.
Supporting actors included Joan Banks, Parley Baer, William Conrad, Jeff Corey, Lawrence Dobkin, Paul Frees, Jack Kruschen, Peter Leeds, Howard McNear, Lurene Tuttle, Martha Wentworth and Ben Wright. The format was recreated, with Lovejoy as Stone, on an episode of the television anthology series, Four Star Playhouse ("Search in the Night" 5 November 1953).

Monday, March 13, 2017

Duffy's Tavern




Duffy's Tavern was a popular American radio situation comedy which ran for a decade on several networks (CBS, 1941–1942; NBC-Blue Network, 1942–1944; NBC, 1944–1951), concluding with the December 28, 1951 broadcast.

 The program often featured celebrity guest stars but always hooked them around the misadventures, get-rich-quick schemes and romantic missteps of the title establishment's malaprop-prone, metaphor-mixing manager, Archie, portrayed by Ed Gardner, the writer/actor who co-created the series. Gardner had performed the character of Archie, talking about Duffy's Tavern, as early as November 9, 1939, when he appeared on NBC's Good News of 1940.






In the familiar opening, "When Irish Eyes Are Smiling," performed either solo on an old-sounding piano or by a larger orchestra, was interrupted by the ring of a telephone and Gardner's New Yorkese accent as he answered, "Hello, Duffy's Tavern, where the elite meet to eat. Archie the manager speakin'. Duffy ain't here—oh, hello, Duffy."

Owner Duffy was never heard nor seen, either on the radio program or in the 1945 film adaptation or the short-lived 1954 TV series. Archie constantly bantered with Duffy's man-crazy daughter, Miss Duffy (played by several actresses, beginning with Gardner's real-life first wife, Shirley Booth), and especially with Clifton Finnegan (Charlie Cantor, later Sid Raymond), a likeable soul with several screws loose and a knack for falling for every other salesman's scam. Eddie the Waiter was played by Eddie Green; the pianist Fats Pichon took over the role after Green's death in 1950. Hoping to take advantage of the income tax free status of Puerto Rico for future projects, Gardner moved the radio show there in 1949.

Radio's Duffy's Tavern didn't translate well to film or television. Burrows and Matt Brooks collaborated on the screenplay for the 1945 film, Ed Gardner's Duffy's Tavern, in which Archie (with regulars Eddie and Finnegan) was surrounded by a throng of Paramount Pictures stars playing themselves.

The 1954 syndicated TV series, co-produced by Hal Roach, Jr., lacked leading name guest stars and, according to writer Larry Rhine, it was weighted by Gardner's inability to adapt to camera work: "He couldn't act, and he wouldn't learn camera... He thought he could do TV, so he left radio, but he was a bad actor and knew it." The series failed to gain viewer support.


Sunday, March 12, 2017

The Alan Young Show




The Alan Young Show is an American radio and television series presented in diverse formats over a nine-year period and starring Canadian-English actor Alan Young, of later Mister Ed fame.

The series began on NBC Radio as a summer replacement situation comedy in 1944, featuring vocalist Bea Wain. It then moved to ABC Radio with Jean Gillespie portraying Young's girlfriend Betty. The program was next broadcast by NBC for a 1946-47 run and was off in 1948. When it returned to NBC in 1949, Louise Erickson played Betty and Jim Backus was heard as snobbish playboy Hubert Updike III.

In 1950 The Alan Young Show moved to CBS television as a variety, sketch comedy show, taking an 11-month hiatus in 1952. When it returned for its final season in 1953, the tone and format of the show changed into the more conventional sitcom, with Young playing a bank teller with Dawn Addams (pictured) cast as his girlfriend and Melville Faber portraying his son. The show alternated weeks with Ken Murray's The Ken Murray Show under the title Time to Smile.

In the last two weeks of the season, the format returned to its earlier style, but it was cancelled at the end of the season. The Alan Young Show received two Emmy Awards during its run.




Saturday, February 18, 2017

Nero Wolfe

Nero Wolfe is a fictional detective, created in 1934 by the American mystery writer Rex Stout. Wolfe's confidential assistant Archie Goodwin narrates the cases of the detective genius. Stout wrote 33 novels and 39 short stories from 1934 to 1974, with most of them set in New York City. Wolfe's residence, a luxurious brownstone on West 35th Street, features prominently in the series. Many radio, television and film adaptations were made from his works.
The Nero Wolfe corpus was nominated for Best Mystery Series of the Century at Bouchercon 2000, the world's largest mystery convention, and Rex Stout was a nominee for Best Mystery Writer of the Century.

Nero Wolfe made his way to radio in 1943 in The Adventures of Nero Wolfe for ABC. Three actors portrayed Nero Wolfe over the course of the series. J.B. Williams starred in its first incarnation, broadcast Wednesdays on the New England Network (April 7–June 30, 1943). Santos Ortega assumed the role when the suspense drama moved to ABC on Mondays (July 5–September 27, 1943) and Fridays (January 21–July 14, 1944). Luis Van Rooten succeeded Ortega in 1944, Nero Wolfe's last year on ABC.

"Santos Ortega played Wolfe," wrote John McAleer in Rex Stout: A Biography. "John Gibson was Archie. Gibson was breezy and Ortega wheezy — indeed, he opened the program with a wheeze, as his signature... Rex thought the actors were creditable but winced at the plots. He never listened to the broadcasts... Louis Vittes was the chief scriptwriter and wrote most of the scripts. None of Rex's story material was used. All characters beside Wolfe, Archie and Cramer were ABC's own. For the use of Wolfe and Archie, Rex received a weekly royalty.
"Differences between (ABC producer) Hi Brown and Edwin Fadiman, who represented Rex's radio, screen and television interests, as Nero Wolfe Attractions, Inc., prevented its later resumption on ABC," McAleer reported. "This fact Brown regretted. 'Nero Wolfe,' Brown says, 'is one of the strongest and most successful detective characters in all of fiction.'"

"The series next surfaced early in 1946, on Sundays, on the Mutual Network," wrote Stout biographer John McAleer, "with Francis X. Bushman, one-time movie idol, as Wolfe, and Elliott Lewis as Archie. ... The scripts once again were network originals. The humor verged on slapstick." The concluding show in the series, "The Case of the Shakespeare Folio," aired December 15, 1946.

1950 -- 1951 Series: "THE NEW ADVENTURES OF NERO WOLFE" (25 episodes)
NETWORK: NBC, SPONSOR: SUSTAINED, TIME: Fridays: 8:00 - 8:30 pm
STARS: Sidney Greenstreet as Nero Wolfe. Archie played by various actors
WRITER: Louis Vittes based on the stories by Rex Stout; ANNOUNCER: Don Stanley; PRODUCER: Edwin Fadiman; DIRECTOR: J. Donald Wilson.
1982, 60 minutes
Mavor Moore and Don Francks
in the CBC Radio drama series Nero Wolfe.

In 1982, Canadian actor, producer, writer and cultural pioneer Mavor Moore (1919–2006) starred as Nero Wolfe in the Canadian Broadcasting Corporation's 13-episode radio series Nero Wolfe (a.k.a. Rex Stout's Nero Wolfe). Don Francks portrayed Archie Goodwin, and Cec Linder played Inspector Cramer.

Sources: Nero Wolfe Wikipedia and Nero Wolfe(radio) via Wikipedia

Thursday, February 2, 2017

Academy Award


 Academy Award was a CBS radio anthology series which presented 30-minute adaptations of plays, novels or films.

Rather than adaptations of Oscar-winning films, as the title implied, the series offered "Hollywood's finest, the great picture plays, the great actors and actresses, techniques and skills, chosen from the honor roll of those who have won or been nominated for the famous golden Oscar of the Academy of Motion Picture Arts and Sciences."

With that as a guideline, any drama could be presented as long as the cast included at least one Oscar-nominated performer. For example, Robert Nathan's 1940 novel Portrait of Jennie was not released as a film until 1949. David O. Selznick, having acquired the rights to Nathan's novel in 1944, was spending much time and money in his efforts to bring it to the screen. Thus, Academy Award's December 4, 1946 adaptation of Portrait of Jennie, with John Lund and Oscar-winner Joan Fontaine, had a promotional aspect, concluding with host/announcer Hugh Brundage revealing, "Portrait of Jennie is soon to be a Selznick International picture starring Jennifer Jones and Joseph Cotten."

The program initially aired on Saturdays at 7pm(et) through June, then moved to Wednesdays at 10pm(et). Frank Wilson scripted the 30-minute adaptations for producer-director Dee Englebach, and Leith Stevens provided the music. The sound effects crew included Gene Twombly, Jay Roth, Clark Casey and Berne Surrey.

The series began March 30, 1946, with Bette Davis, Anne Revere and Fay Bainter in Jezebel. On that first show, Jean Hersholt spoke as president of the Academy of Motion Picture Arts and Sciences, welcoming the E.R. Squibb & Sons pharmaceutical company {"The House Of Squibb"} as the program's sponsor. It was an expensive show to produce since the stars cost $4000 a week, and another $1600 went each week to the Academy of Motion Picture Arts and Sciences for the use of their name in the show's title. This eventually became a factor in Squibb's decision to cancel the series after only 39 weeks.

Dramas in which actors recreated their original film roles included Henry Fonda in Young Mr. Lincoln, Humphrey Bogart in The Maltese Falcon, Cary Grant in Suspicion, Gregory Peck in The Keys of the Kingdom and Ronald Colman in Lost Horizon. However, of the 39 episodes, only six actors recreated their own Oscar-winning roles: Fay Bainter, Bette Davis, Paul Lukas, Victor McLaglen, Paul Muni and Ginger Rogers.


The series ended December 18, 1946, with Margaret O'Brien and one of the series' frequent supporting players, Jeff Chandler (appearing under his real name, Ira Grossel) in Lost Angel.

Saturday, January 28, 2017

The Man Called X



The Man Called X is an espionage radio drama which aired on CBS and NBC from July 10, 1944 to May 20, 1952. Herbert Marshall had the lead role of agent Ken Thurston/"Mr. X" who took on dangerous cases in a variety of exotic locations. Gordon Jenkins Orchestra supplied the background music.

 Leon Belasco played Mr. X's comedic sidekick, Pegon Zellschmidt, who always turned up in remote parts of the world because he had a "cousin" there. Pegon would annoy and help Mr. X.

Wendell Niles was the announcer.

The series was created by Jay Richard Kennedy who later adapted The Man Called X as a 39 episode syndicated Television series (1956-57) starring Barry Sullivan as Thurston for Ziv Television.

Friday, January 20, 2017

Lux Radio Theater

Lux Radio Theater, a long-run classic radio anthology series, was broadcast on the NBC Blue Network (1934-35); CBS (1935-54) and NBC (1954-55). Initially, the series adapted Broadway plays during its first two seasons before it began adapting films. These hour-long radio programs were performed live before studio audiences. It became the most popular dramatic anthology series on radio, broadcast for more than 20 years and continued on television as the Lux Video Theatre through most of the 1950s.

Broadcasting from New York, the series premiered at 2:30pm, October 14, 1934, on the NBC Blue Network with a production of Seventh Heaven starring Miriam Hopkins and John Boles in a full-hour adaptation of the 1922–24 Broadway production by Austin Strong. 

Lux Radio Theater strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance. In 1936, when sponsor Lever Brothers (who made Lux soap and detergent) moved the show from New York City to Hollywood, the program began to emphasize adaptations of films rather than plays. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's stars, Myrna Loy and William Powell. Many of leading names in stage and film appeared in the series, most in the roles they made famous on the screen.

 During its years on CBS in Hollywood, Lux Radio Theater was broadcast from the Lux Radio Playhouse located at 1615 North Vine Street in Hollywood, one block south of the intersection of Hollywood and Vine. The theater was owned by Howard Hughes in the early 1930's then later renamed the Huntington Hartford Theater when purchased in 1954 by philanthropist Huntington Hartford, the Doolittle Theater and is now the Ricardo Montalban Theater.

 The Lux Video Theatre began as a live 30-minute Monday evening CBS series October 2, 1950, switching to Thursday nights during August 1951. In September 1953, the show relocated from New York to Hollywood. In August 1954, it jumped to NBC as an hour-long show on Thursday nights, telecast until September 12, 1957.


1936 Programs



1937 Programs


1938 Programs


And even more available at this link - https://archive.org/details/Lux01

Sunday, January 15, 2017

The Lone Ranger


The Lone Ranger is a fictional masked Texas Ranger who, with his Native American companion Tonto, fights injustice in the American Old West. The character has become an enduring icon of American culture.

He first appeared in 1933 in a radio show conceived either by WXYZ radio station owner George W. Trendle or by Fran Striker, the show's writer. The show proved to be a huge hit, and spawned an equally popular television show that ran from 1949 to 1957, as well as comic books and movies. The title character was played on radio by George Seaton, Earle Graser, and Brace Beemer. To television viewers, Clayton Moore was the Lone Ranger. Tonto was played by, among others, John Todd, Roland Parker, and in the television series, Jay Silverheels.

Departing on his white stallion, Silver, the Lone Ranger would shout, "Hi-yo, Silver! Away!" As they galloped off, someone would ask, "Who was that masked man anyway?" Tonto usually referred to the Lone Ranger as "Ke-mo sah-bee", meaning "trusty scout" or "trusted friend." These catchphrases, his trademark silver bullets, and the theme music from the William Tell overture are indelibly stamped in the memories of millions who came of age during the decades of the show's initial popularity or viewed the television series.

While details differ, the basic story of the origin of the Lone Ranger is the same in most versions of the franchise. Six Texas Rangers are ambushed by a band of outlaws led by Barthalamo "Butch" Cavendish. Later, a Native American named Tonto stumbles on the scene and recognizes the lone survivor, John Francis Reid, as the man who had saved his life some time in the past. He nurses Reid back to health. The two men dig six graves for Reid's comrades, among them Reid's brother, Captain Daniel Steven Reid who is the Captain of the Texas Rangers. John Reid fashions a black mask using material from his brother's vest to conceal his identity, so that Cavendish will think there were no survivors. Even after the Cavendish gang is brought to justice, Reid continues to fight evil under the guise of the Lone Ranger.

In every incarnation of the character to date, the Lone Ranger conducts himself by a strict moral code put in place by Striker at the inception of the character. Actors Clayton Moore and Jay Silverheels both took their positions as role models to children very seriously and tried their best to live by this creed. It reads as follows:
I believe...
that to have a friend, a man must be one.
that all men are created equal and that everyone has within himself the power to make this a better world.
that God put the firewood there, but that every man must gather and light it himself.
in being prepared physically, mentally, and morally to fight when necessary for that which is right.
that a man should make the most of what equipment he has.
that 'this government of the people, by the people, and for the people' shall live always.
that men should live by the rule of what is best for the greatest number.
that sooner or later...somewhere...somehow...we must settle with the world and make payment for what we have taken.
that all things change but truth, and that truth alone, lives on forever.
in my Creator, my country, my fellow man.



The Lone Ranger was a TV show that aired for eight seasons, from 1949 to 1957, and starred Clayton Moore as the Lone Ranger and Jay Silverheels as Tonto. Only five of the eight seasons had new episodes. It was the ABC television network's first big hit of the early 1950s. Moore's tenure as the Ranger is probably the best-known treatment of the franchise. For the show's third season, Moore sat out due to a contract dispute and was replaced by John Hart. Moore returned for the final two seasons. The fifth and final season was the only one shot in color. A total of 221 episodes were made.

In 1948, Western Publishing, with its publishing partner Dell Comics, launched a comic book series which lasted 145 issues. This originally consisted of reprints from the newspaper strips (as had all previous comic book appearances of the character in various titles from David McKay Publications and from Dell). However, new stories by writer Paul S. Newman and artist Tom Gill began with issue #38 (August 1951). Some original content was presented as early as #7 (January 1949), but these were non-Lone Ranger fillers. Newman and Gill produced the series until its the final issue, #145 (July 1962). The Dell series came to an end in 1962. Later that same year, Western Publishing ended its publishing partnership with Dell Comics and started up its own comic book imprint, Gold Key Comics. The new imprint launched its own Lone Ranger title in 1964. Initially reprinting material from the Dell run, original content did not begin until issue #22 in 1975, and the magazine itself folded with #28 in 1977.

The Lone Ranger has also seen incarnations on the silver screen, most recently in the 1981 box-office failure, The Legend of the Lone Ranger starring Klinton Spilsbury.

Walt Disney Pictures announced in September 2008 that Johnny Depp would be portraying Tonto in the latest adaptation entitled 'The Lone Ranger' with a projected release date of May 31st, 2013.

Sources: Wikipedia, Archive.org, and Comics.org

Episodes of the Lone Ranger television show can be viewed on Hulu.