Saturday, January 28, 2017

The Man Called X

The Man Called X is an espionage radio drama which aired on CBS and NBC from July 10, 1944 to May 20, 1952. Herbert Marshall had the lead role of agent Ken Thurston/"Mr. X" who took on dangerous cases in a variety of exotic locations. Gordon Jenkins Orchestra supplied the background music.

 Leon Belasco played Mr. X's comedic sidekick, Pegon Zellschmidt, who always turned up in remote parts of the world because he had a "cousin" there. Pegon would annoy and help Mr. X.

Wendell Niles was the announcer.

The series was created by Jay Richard Kennedy who later adapted The Man Called X as a 39 episode syndicated Television series (1956-57) starring Barry Sullivan as Thurston for Ziv Television.

Friday, January 20, 2017

Lux Radio Theater

Lux Radio Theater, a long-run classic radio anthology series, was broadcast on the NBC Blue Network (1934-35); CBS (1935-54) and NBC (1954-55). Initially, the series adapted Broadway plays during its first two seasons before it began adapting films. These hour-long radio programs were performed live before studio audiences. It became the most popular dramatic anthology series on radio, broadcast for more than 20 years and continued on television as the Lux Video Theatre through most of the 1950s.

Broadcasting from New York, the series premiered at 2:30pm, October 14, 1934, on the NBC Blue Network with a production of Seventh Heaven starring Miriam Hopkins and John Boles in a full-hour adaptation of the 1922–24 Broadway production by Austin Strong. 

Lux Radio Theater strove to feature as many of the original stars of the original stage and film productions as possible, usually paying them $5,000 an appearance. In 1936, when sponsor Lever Brothers (who made Lux soap and detergent) moved the show from New York City to Hollywood, the program began to emphasize adaptations of films rather than plays. The first Lux film adaptation was The Legionnaire and the Lady, with Marlene Dietrich and Clark Gable, based on the film Morocco. That was followed by a Lux adaptation of The Thin Man, featuring the movie's stars, Myrna Loy and William Powell. Many of leading names in stage and film appeared in the series, most in the roles they made famous on the screen.

 During its years on CBS in Hollywood, Lux Radio Theater was broadcast from the Lux Radio Playhouse located at 1615 North Vine Street in Hollywood, one block south of the intersection of Hollywood and Vine. The theater was owned by Howard Hughes in the early 1930's then later renamed the Huntington Hartford Theater when purchased in 1954 by philanthropist Huntington Hartford, the Doolittle Theater and is now the Ricardo Montalban Theater.

 The Lux Video Theatre began as a live 30-minute Monday evening CBS series October 2, 1950, switching to Thursday nights during August 1951. In September 1953, the show relocated from New York to Hollywood. In August 1954, it jumped to NBC as an hour-long show on Thursday nights, telecast until September 12, 1957.

1936 Programs

1937 Programs

1938 Programs

And even more available at this link -

Sunday, January 15, 2017

The Lone Ranger

The Lone Ranger is a fictional masked Texas Ranger who, with his Native American companion Tonto, fights injustice in the American Old West. The character has become an enduring icon of American culture.

He first appeared in 1933 in a radio show conceived either by WXYZ radio station owner George W. Trendle or by Fran Striker, the show's writer. The show proved to be a huge hit, and spawned an equally popular television show that ran from 1949 to 1957, as well as comic books and movies. The title character was played on radio by George Seaton, Earle Graser, and Brace Beemer. To television viewers, Clayton Moore was the Lone Ranger. Tonto was played by, among others, John Todd, Roland Parker, and in the television series, Jay Silverheels.

Departing on his white stallion, Silver, the Lone Ranger would shout, "Hi-yo, Silver! Away!" As they galloped off, someone would ask, "Who was that masked man anyway?" Tonto usually referred to the Lone Ranger as "Ke-mo sah-bee", meaning "trusty scout" or "trusted friend." These catchphrases, his trademark silver bullets, and the theme music from the William Tell overture are indelibly stamped in the memories of millions who came of age during the decades of the show's initial popularity or viewed the television series.

While details differ, the basic story of the origin of the Lone Ranger is the same in most versions of the franchise. Six Texas Rangers are ambushed by a band of outlaws led by Barthalamo "Butch" Cavendish. Later, a Native American named Tonto stumbles on the scene and recognizes the lone survivor, John Francis Reid, as the man who had saved his life some time in the past. He nurses Reid back to health. The two men dig six graves for Reid's comrades, among them Reid's brother, Captain Daniel Steven Reid who is the Captain of the Texas Rangers. John Reid fashions a black mask using material from his brother's vest to conceal his identity, so that Cavendish will think there were no survivors. Even after the Cavendish gang is brought to justice, Reid continues to fight evil under the guise of the Lone Ranger.

In every incarnation of the character to date, the Lone Ranger conducts himself by a strict moral code put in place by Striker at the inception of the character. Actors Clayton Moore and Jay Silverheels both took their positions as role models to children very seriously and tried their best to live by this creed. It reads as follows:
I believe...
that to have a friend, a man must be one.
that all men are created equal and that everyone has within himself the power to make this a better world.
that God put the firewood there, but that every man must gather and light it himself.
in being prepared physically, mentally, and morally to fight when necessary for that which is right.
that a man should make the most of what equipment he has.
that 'this government of the people, by the people, and for the people' shall live always.
that men should live by the rule of what is best for the greatest number.
that sooner or later...somewhere...somehow...we must settle with the world and make payment for what we have taken.
that all things change but truth, and that truth alone, lives on forever.
in my Creator, my country, my fellow man.

The Lone Ranger was a TV show that aired for eight seasons, from 1949 to 1957, and starred Clayton Moore as the Lone Ranger and Jay Silverheels as Tonto. Only five of the eight seasons had new episodes. It was the ABC television network's first big hit of the early 1950s. Moore's tenure as the Ranger is probably the best-known treatment of the franchise. For the show's third season, Moore sat out due to a contract dispute and was replaced by John Hart. Moore returned for the final two seasons. The fifth and final season was the only one shot in color. A total of 221 episodes were made.

In 1948, Western Publishing, with its publishing partner Dell Comics, launched a comic book series which lasted 145 issues. This originally consisted of reprints from the newspaper strips (as had all previous comic book appearances of the character in various titles from David McKay Publications and from Dell). However, new stories by writer Paul S. Newman and artist Tom Gill began with issue #38 (August 1951). Some original content was presented as early as #7 (January 1949), but these were non-Lone Ranger fillers. Newman and Gill produced the series until its the final issue, #145 (July 1962). The Dell series came to an end in 1962. Later that same year, Western Publishing ended its publishing partnership with Dell Comics and started up its own comic book imprint, Gold Key Comics. The new imprint launched its own Lone Ranger title in 1964. Initially reprinting material from the Dell run, original content did not begin until issue #22 in 1975, and the magazine itself folded with #28 in 1977.

The Lone Ranger has also seen incarnations on the silver screen, most recently in the 1981 box-office failure, The Legend of the Lone Ranger starring Klinton Spilsbury.

Walt Disney Pictures announced in September 2008 that Johnny Depp would be portraying Tonto in the latest adaptation entitled 'The Lone Ranger' with a projected release date of May 31st, 2013.

Sources: Wikipedia,, and

Episodes of the Lone Ranger television show can be viewed on Hulu.

Thursday, January 12, 2017

Fibber McGee and Molly

Fibber McGee and Molly was an American radio comedy series that maintained its popularity over decades. It premiered on NBC in 1935 and continued until 1959, long after radio had ceased to be the dominant form of entertainment in American popular culture.

 There are people who would argue that Fibber McGee and Molly were the Golden Age of radio. This is partly because of the show's very long (1935-1959) and successful run. But more than just staying power, the show showcased terrific comic and musical talent. Throughout its run, the show was a reflection of its time in the American scene.

The genesis of the program can be traced to a local Chicago show that would become Smackout. Fibber McGee and Molly would go on to great success despite (or perhaps because of) the vaudeville sensibilities of its creators and stars, married couple Jim and Marian Jordan.

Living in the fictional Midwestern city of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long suffering wife Molly. Life in Wistful Vista followed a well developed formula, but was always fresh. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the People of Wistful Vista, a set of regular players and characters that were as beloved as the stars of the program. The program used a series of running gags that would become part of the common language, many treasures can be found in the Closet at 79 Wistful Vista.

The show began as a comic reflection of Depression Era America, but as time went on and the shadows of war came over the nation, the show again caught the mood of the country. WWII was fought on the Home front on Wistful Vista as surely as anywhere else in America, but here they had the benefit of Fibber's somewhat addled perspective.

The show was formally "The Johnson Wax show with Fibber McGee and Molly." Longtime sponsor S.C. Johnson Wax Company saw the value of saving the episodes they sponsored, thereby preserving this treasure for fans of Old Time Radio today.

One of the funniest, most cleverly written shows you will find. The show ran for an epic 24 years on the radio. The show had a huge influence on popular culture as well. Catch phrases that originated on Fibber McGee and Molly like, "Tain't funny, McGee!" "That ain't the way I heered it!" "Snooky," and "Whatsay?" were common vernacular of the time.

Recently, on an episode of NCIS, Abby Sciutto reprimanded Timothy McGee with the line "T'ain't funny, McGee" as a nod to the show.

Sources: and Fibber McGee and Molly on Wikipedia

Monday, January 9, 2017

The Saint

Simon Templar is a British fictional character known as The Saint. He featured in a long-running series of books by Leslie Charteris published between 1928 and 1963. After that date, other authors collaborated with Charteris on books until 1983; two additional works produced without Charteris’s participation were published in 1997. The character has also been portrayed in motion pictures, radio dramas, comic strips, comic books and three television series.

 Simon Templar is a Robin Hood-like criminal known as The Saint — plausibly from his initials; but the exact reason for his nickname is not known (although we're told that he was given it at the age of nineteen). Templar has aliases, often using the initials S.T. such as "Sebastian Tombs" or "Sugarman Treacle". Blessed with boyish humor, he makes humorous and off-putting remarks and leaves a "calling card" at his "crimes", a stick figure of a man with a halo. This is used as the logo of the books, the movies, and the 1960s TV series. He is described as "buccaneer in the suits of Savile Row, amused, cool, debonair, with hell-for-leather blue eyes and a saintly smile..."

 Several radio drama series were produced in North America, Ireland, and Britain. The earliest was for Radio Eireann's Radio Athlone in 1940 and starred Terence De Marney. Both NBC and CBS produced Saint series during 1945, starring Edgar Barrier and Brian Aherne.

Many early shows were adaptations of published stories, although Charteris wrote several storylines for the series which were novelised as short stories and novellas. The longest-running radio incarnation was Vincent Price, who played the character in a series between 1947 and 1951 on three networks: CBS, Mutual and NBC.

Like The Whistler, the program had an opening whistle theme with footsteps. Some sources say the whistling theme for The Saint was created by Leslie Charteris while others credit RKO composer Roy Webb. Price left in May 1951, replaced by Tom Conway, who played the role for several more months. His brother, George Sanders, had played Templar on film. The next English-language radio series aired on Springbok Radio in South Africa between 1953 and 1957. These were fresh adaptations of the original stories and starred Tom Meehan. Around 1965–66 the South African version of Lux Radio Theatre produced a single dramatization of The Saint. The English service of South Africa produced another series radio adventures for six months in 1970–1971. The next English-language incarnation was a series of three radio plays on BBC Radio 4 in 1995 starring Paul Rhys.

Sunday, January 8, 2017

The Edgar Bergen/Charlie McCarthy Show

Edgar John Bergen (February 16, 1903 – September 30, 1978) was an American actor, comedian and radio performer, best known for his proficiency in ventriloquism and his characters Charlie McCarthy and Mortimer Snerd. He is also the father of actress Candice Bergen.

Bergen was born Edgar John Berggren in Chicago, Illinois, one of five children and the youngest of two sons of Swedish immigrants Nilla Svensdotter (née Osberg) and Johan Henriksson Berggren. He lived on a farm near Decatur, Michigan until he was 4 when his family returned to Sweden where he learned the language. He taught himself ventriloquism from a pamphlet called "The Wizard's Manual" when he was 11 after his family returned to Chicago.

The famous ventriloquist Harry Lester was so impressed by Edgar that he gave the teenager almost daily lessons for three months in the fundamentals of ventriloquism. In the fall of 1919, Edgar paid Chicago woodcarver Theodore Mack $36 to sculpt a likeness of a rascally red-headed Irish newspaperboy he knew. The head went on a dummy named Charlie McCarthy, which became Bergen's lifelong sidekick. He had created the body himself, using a nine-inch length of broomstick for the backbone, and rubber bands and cords to control the lower jaw mechanism of the mouth.

He gave his first public performance at Waveland Avenue Congregational Church located on the northeast corner of Waveland and Janssen. He lived across the street from the church. In 1965, he gave the church a generous contribution, a thoughtful letter, and a photograph of himself which had been requested by the minister and was displayed in the church's assembly room which was dedicated to Bergen. He cut out an "R" and a "G" from his family name and went from Berggren to Bergen on the showbills. Between June 1922 and August 1925, he performed every summer on the professional Chautauqua circuit and at the Lyceum theater in Chicago.

His first performances were in vaudeville, at which point he legally changed his last name to the easier-to-pronounce "Bergen". He worked in one-reel movie shorts, but his real success was on the radio. He and Charlie were seen at a New York party by Elsa Maxwell for Noël Coward, who recommended them for an engagement at the famous Rainbow Room. It was there that two producers saw Bergen and Charlie perform. They then recommended them for a guest appearance on Rudy Vallée's program. Their initial appearance (December 17, 1936) was so successful that the following year they were given their own show, as part of The Chase and Sanborn Hour. Under various sponsors (and two different networks), they were on the air from May 9, 1937 to July 1, 1956. The popularity of a ventriloquist on radio, when one could see neither the dummies nor his skill, surprised and puzzled many critics, then and now. Even knowing that Bergen provided the voice, listeners perceived Charlie as a genuine person, but only through artwork rather than photos could the character be seen as truly lifelike. Thus, in 1947, Sam Berman caricatured Bergen and McCarthy for the network's glossy promotional book, NBC Parade of Stars: As Heard Over Your Favorite NBC Station.

For the radio program, Bergen developed other characters, notably the slow-witted Mortimer Snerd and the man-hungry Effie Klinker. The star remained Charlie, who was always presented as a highly precocious child (albeit in top hat, cape, and monocle)—a debonair, girl-crazy, child-about-town. As a child, and a wooden one at that, Charlie could get away with double entendres which were otherwise impossible under broadcast standards of the time.

In October 1949, Bergen went to CBS, with a new weekly program, The Charlie McCarthy Show, sponsored by Coca-Cola. After their sponsorship ended in June 1952, Richard Hudnut, on behalf of "Lanolin Plus" cosmetics, primarily sustained the series until the end of the 1953–54 season. In October 1954, Kraft Foods sponsored a new Edgar Bergen Hour. After Kraft's departure, the series continued with participating sponsors as a 55 minute series in the fall of 1955. However, because more people were watching television on Sunday nights than listened to radio (and advertisers preferred to sponsor TV shows by then), the series finally ended on July 1, 1956.

Today, the iconic wooden Charlie McCarthy rests in Washington D.C.'s Smithsonian Institution. Bergen was interred with his parents (who are buried under their true surname of "Berggren"), in Inglewood Park Cemetery, Inglewood, California. Edgar Bergen's wife of 33 years, Frances Westerman Bergen, died at Cedars-Sinai Medical Center in Los Angeles, on October 2, 2006, aged 84, from undisclosed causes. She is also buried in Inglewood Cemetery. In 1990, Bergen was elected to the Radio Hall of Fame, the same year that The Charlie McCarthy Show was selected as an honored program. A message in the closing credits dedicates The Muppet Movie (which featured Edgar and Charlie in their last screen appearance) to the memory and magic of Edgar. In 1991, the United States Postal Service honored him with a 29-cent commemorative stamp.

Tuesday, January 3, 2017

The Adventures of Harry Lime

The Adventures of Harry Lime (broadcast in the United States as The Lives of Harry Lime) is an old-time radio program produced in the United Kingdom during the 1951 to 1952 season. Orson Welles reprises his role of Harry Lime from the celebrated 1949 film The Third Man. The radio series is a prequel to the film, and depicts the many misadventures of con-artist Lime in a somewhat lighter tone than that of the film.

The Adventures of Harry Lime is one of the most successful series created by prolific British radio producer Harry Alan Towers and his company Towers of London. Towers and Graham Greene, author of The Third Man, had the same literary agent, and Towers learned that Greene had not sold the rights to the character of Harry Lime to Alexander Korda when he sold Korda The Third Man. Towers quickly bought the rights to the character and in 1951 he put a syndicated radio series into production. Orson Welles reprised the role of Harry Lime in a series of adventures that preceded the story told in The Third Man.

Several episodes would begin with "The Third Man Theme" being played, abruptly cut off by an echoing gunshot. Then Welles would speak: "That was the shot that killed Harry Lime. He died in a sewer beneath Vienna, as those of you know who saw the movie The Third Man. Yes, that was the end of Harry Lime ... but it was not the beginning. Harry Lime had many lives ... and I can recount all of them. How do I know? Very simple. Because my name is Harry Lime."

Although often cited as a BBC production, the series was one of a number produced and distributed independently by Towers of London and syndicated internationally.

The episode "Man of Mystery", written by Welles, was later expanded by him and served as the basic plot for his film Mr. Arkadin.