Duffy's Tavern was a popular American radio situation comedy which ran for a decade on several networks (CBS, 1941–1942; NBC-Blue Network, 1942–1944; NBC, 1944–1951), concluding with the December 28, 1951 broadcast.
The program often featured celebrity guest stars but always hooked them around the misadventures, get-rich-quick schemes and romantic missteps of the title establishment's malaprop-prone, metaphor-mixing manager, Archie, portrayed by Ed Gardner, the writer/actor who co-created the series. Gardner had performed the character of Archie, talking about Duffy's Tavern, as early as November 9, 1939, when he appeared on NBC's Good News of 1940.
In the familiar opening, "When Irish Eyes Are Smiling," performed either solo on an old-sounding piano or by a larger orchestra, was interrupted by the ring of a telephone and Gardner's New Yorkese accent as he answered, "Hello, Duffy's Tavern, where the elite meet to eat. Archie the manager speakin'. Duffy ain't here—oh, hello, Duffy."
Owner Duffy was never heard nor seen, either on the radio program or in the 1945 film adaptation or the short-lived 1954 TV series. Archie constantly bantered with Duffy's man-crazy daughter, Miss Duffy (played by several actresses, beginning with Gardner's real-life first wife, Shirley Booth), and especially with Clifton Finnegan (Charlie Cantor, later Sid Raymond), a likeable soul with several screws loose and a knack for falling for every other salesman's scam. Eddie the Waiter was played by Eddie Green; the pianist Fats Pichon took over the role after Green's death in 1950. Hoping to take advantage of the income tax free status of Puerto Rico for future projects, Gardner moved the radio show there in 1949.
Radio's Duffy's Tavern didn't translate well to film or television. Burrows and Matt Brooks collaborated on the screenplay for the 1945 film, Ed Gardner's Duffy's Tavern, in which Archie (with regulars Eddie and Finnegan) was surrounded by a throng of Paramount Pictures stars playing themselves.
The 1954 syndicated TV series, co-produced by Hal Roach, Jr., lacked leading name guest stars and, according to writer Larry Rhine, it was weighted by Gardner's inability to adapt to camera work: "He couldn't act, and he wouldn't learn camera... He thought he could do TV, so he left radio, but he was a bad actor and knew it." The series failed to gain viewer support.
Blondie is a radio situation comedy adapted from the long-run Blondie comic strip by Chic Young. The radio program had a long run on several networks from 1939 to 1950.
After Penny Singleton was cast in the title role of the feature film Blondie (1938), co-starring with Arthur Lake as Dagwood (the first in a series of 28 produced by Columbia Pictures); she and Lake repeated their roles December 20, 1938, on The Pepsodent Show starring Bob Hope. The appearance with Hope led to their own show, beginning July 3, 1939, on CBS as a summer replacement for The Eddie Cantor Show. However, Cantor did not return in the fall, so the sponsor, R.J. Reynolds' Camel Cigarettes chose to keep Blondie on the air Mondays at 7:30pm. Camel remained the sponsor through the early WWII years until June 26, 1944.
In 1944, Blondie was on the NBC Blue Network, sponsored by Colgate-Palmolive's Super Suds, airing Fridays at 7pm from July 21 to September 1. The final three weeks of that run overlapped with Blondie's return to CBS on Sundays at 8pm from August 13, 1944, to September 26, 1948, still sponsored by Super Suds. Beginning in mid-1945, the 30-minute program was heard Mondays at 7:30pm. Super Suds continued as the sponsor when the show moved to NBC on Wednesdays at 8pm from October 6, 1948, to June 29, 1949.
When Penny Singleton left the radio series in the mid-1940s, Patricia Lake, the former Patricia Van Cleeve, replaced her as the voice of Blondie for the remaining five years of the show, opposite her real-life husband Arthur Lake. Ann Rutherford and Alice White were also heard as radio's Blondie. In 1954, Lake also co-starred with her husband in an early television sitcom he created called Meet the Family.
Others in the cast: Leone Ledoux (Alexander and Cookie Bumstead), Tommy Cook (Alexander as of May 1943), Larry Sims (Alexander as of Summer 1946), Jeffrey Silver (Alexander by 1949), Marlene Aames (Cookie by 1946), Norma Jean Nilsson (Cookie in 1947), Joan Rae (Cookie after 1947), Hanley Stafford (J.C. Dithers), Elvia Allman (Mrs. Dithers), Frank Nelson and Harold Peary (Herb Woodley), Arthur Q. Bryan and Harry Lang (Mr. Fuddle), Dix Davis (Alvin Fuddle), Mary Jane Croft (Harriet), Veola Vonn and Lurene Tuttle (Dimples Wilson). Harry Lubin, Billy Artz and Lou Kosloff supplied the music.
The Bickersons was a radio comedy sketch series that began September 8, 1946, on NBC, moving the following year to CBS where it continued until August 28, 1951. The show's married protagonists, portrayed by Don Ameche and Frances Langford, spent nearly all their time together in relentless verbal war.
The Bickersons was created by Philip Rapp, the one-time Eddie Cantor writer who had also created the Fanny Brice skits (for The Ziegfeld Follies of the Air and Maxwell House Coffee Time) that grew into radio's Baby Snooks. Several years after the latter established itself a long-running favorite, Rapp developed and presented John and Blanche Bickerson, first as a short sketch on The Old Gold Show and The Chase and Sanborn Hour (the show that made stars of Edgar Bergen and his dummy, Charlie McCarthy), and then as a 15-minute situational sketch as part of Drene Time. This was a variety show starring Don Ameche and singer-actress Frances Langford as co-hosts, airing on NBC and sponsored by Drene Shampoo.
Drene Time typically opened with Langford singing a big band-style arrangement before Ameche and Langford would slip into routine comedy, often aided by co-star Danny Thomas, in routines that often expressed Ameche's frustration that Thomas was more interested in modern technology and discoveries than in women. After another musical number and a commercial spot for Drene Shampoo, Miller would announce Ameche and Langford as the Bickersons, "in 'The Honeymoon's Over'", for the final 15 minutes of the show.
As transcribed by John Crosby, this was a typical Bickersons exchange:
B: You used to be so considerate. Since you got married to me you haven't got any sympathy at all.
J: I have, too. I've got everybody's sympathy.
B: Believe me, there's better fish in the ocean than the one I caught.
J: There's better bait, too.
B: I don't see how you can go to bed without kissing me good night.
J: I can do it.
B: You'd better say you're sorry for that, John.
J: Okay, I'm sorry, I'm sorry, I'm sorry.
B: You are not.
J: I am too. I'm the sorriest man that was ever born.
B: Is there any milk for breakfast?
J: No.
B: Then you'll have to eat out.
J: I don't care, I've been doing it all week.
B: What for? I left you enough food for six days. I cooked a whole bathtub full of rice. What happened to it?
J: I took a bath in it.
B: Why didn't you eat it?
J: I've told you a million times I can't stand the sight of rice.
B: Why not?
J: Because it's connected to the saddest mistake of my life.
B: You stopped loving me the day we were married.
J: That wasn't the day at all.
The Bickersons had at least three television runs. The first was as a segment on Star Time, which ran on Dumont for a half-season, from September 1950 to February 1951. A stand-alone Bickersons series ran on CBS for a short time in summer 1951. In both versions, Lew Parker (later familiar as That Girl's harried, slightly overbearing father Lew Marie) took the role of John Bickerson, as he also did on radio a season earlier. The televised version did not work as well as the original skits. Langford did not appear to have the seamless anti-chemistry with Parker as she did with Ameche, and the show's persistent setting (always in the same bedroom) made the show less than ideal for the visual medium. Premiering as a summer season replacement, the CBS version of The Bickersons lasted only 13 episodes.
For a more lengthy and in depth look at The Bickersons, be sure to refer to their Wikipedia page or the official Bickersons website.
Academy Award was a CBS radio anthology series which presented 30-minute adaptations of plays, novels or films.
Rather than adaptations of Oscar-winning films, as the title implied, the series offered "Hollywood's finest, the great picture plays, the great actors and actresses, techniques and skills, chosen from the honor roll of those who have won or been nominated for the famous golden Oscar of the Academy of Motion Picture Arts and Sciences."
With that as a guideline, any drama could be presented as long as the cast included at least one Oscar-nominated performer. For example, Robert Nathan's 1940 novel Portrait of Jennie was not released as a film until 1949. David O. Selznick, having acquired the rights to Nathan's novel in 1944, was spending much time and money in his efforts to bring it to the screen. Thus, Academy Award's December 4, 1946 adaptation of Portrait of Jennie, with John Lund and Oscar-winner Joan Fontaine, had a promotional aspect, concluding with host/announcer Hugh Brundage revealing, "Portrait of Jennie is soon to be a Selznick International picture starring Jennifer Jones and Joseph Cotten."
The program initially aired on Saturdays at 7pm(et) through June, then moved to Wednesdays at 10pm(et). Frank Wilson scripted the 30-minute adaptations for producer-director Dee Englebach, and Leith Stevens provided the music. The sound effects crew included Gene Twombly, Jay Roth, Clark Casey and Berne Surrey.
The series began March 30, 1946, with Bette Davis, Anne Revere and Fay Bainter in Jezebel. On that first show, Jean Hersholt spoke as president of the Academy of Motion Picture Arts and Sciences, welcoming the E.R. Squibb & Sons pharmaceutical company {"The House Of Squibb"} as the program's sponsor. It was an expensive show to produce since the stars cost $4000 a week, and another $1600 went each week to the Academy of Motion Picture Arts and Sciences for the use of their name in the show's title. This eventually became a factor in Squibb's decision to cancel the series after only 39 weeks.
Dramas in which actors recreated their original film roles included Henry Fonda in Young Mr. Lincoln, Humphrey Bogart in The Maltese Falcon, Cary Grant in Suspicion, Gregory Peck in The Keys of the Kingdom and Ronald Colman in Lost Horizon. However, of the 39 episodes, only six actors recreated their own Oscar-winning roles: Fay Bainter, Bette Davis, Paul Lukas, Victor McLaglen, Paul Muni and Ginger Rogers.
The series ended December 18, 1946, with Margaret O'Brien and one of the series' frequent supporting players, Jeff Chandler (appearing under his real name, Ira Grossel) in Lost Angel.
Melvin Jerome "Mel" Blanc (May 30, 1908 – July 10, 1989) was an American voice actor and comedian. Although he began his nearly six-decade-long career performing in radio commercials, Blanc is best remembered for his work with Warner Bros. during the "Golden Age of American animation" (and later for Hanna-Barbera television productions) as the voice of such well-known characters as Bugs Bunny, Daffy Duck, Porky Pig, Taz, Sylvester the Cat, Tweety Bird, Foghorn Leghorn, Yosemite Sam, Wile E. Coyote, Woody Woodpecker, Barney Rubble, Mr. Spacely, Speed Buggy, Captain Caveman, Heathcliff, Speedy Gonzales, Tom and Jerry, and hundreds of others. Having earned the nickname “The Man of a Thousand Voices,” Blanc is regarded as one of the most influential people in the voice-acting industry.
At the time of his death, it was estimated that 20 million people heard his voice every day.
Blanc began his radio career in 1927 as a voice actor on the Portland, Oregon, KGW program The Hoot Owls, where his ability to provide voices for multiple characters first attracted attention. He moved to KEX in 1933 to produce and host his Cobweb And Nuts show, which debuted on June 15. The program played Monday through Saturday from 11:00 pm to midnight, and by the time the show ended two years later, it appeared from 10:30 pm to 11:00 pm.
Blanc moved to Warner Bros.-owned KFWB in Hollywood, California, in 1935. He joined The Johnny Murray Show, but the following year switched to CBS Radio and The Joe Penner Show. Blanc was a regular on the NBC Red Network show The Jack Benny Program in various roles, including voicing Benny's Maxwell automobile (in desperate need of a tune-up), violin teacher Professor LeBlanc, Polly the Parrot, Benny's pet polar bear Carmichael, the tormented department store clerk, and the train announcer.
One of Blanc's most memorable characters from Benny's radio (and later TV) programs was "Sy, the Little Mexican", who spoke one word at a time. The famous "Sí...Sy...sew...Sue" routine was so effective that no matter how many times it was performed, the laughter was always there, thanks to the comedic timing of Blanc and Benny.
At times, sharp-eyed audience members (and later, TV viewers) could see Benny struggling to keep a straight face; Blanc's absolute dead-pan delivery was a formidable challenge for him. Benny's daughter, Joan, recalls that Mel Blanc was one of her father's closest friends in real life, because "nobody else on the show could make him laugh the way Mel could."
Blanc's success on The Jack Benny Program led to his own radio show on the CBS Radio Network, The Mel Blanc Show, which ran from September 3, 1946, to June 24, 1947. Blanc played himself as the hapless owner of a fix-it shop, as well as his young cousin Zookie (who sounded quite a bit like Porky Pig). Many episodes required Mel to impersonate an exotic foreigner or other stranger in town, ostensibly for carrying out a minor deception on his girlfriend's father, but of course simply as a vehicle for him to show off his talents. Other regular characters were played by Mary Jane Croft, Joseph Kearns, Hans Conried, Alan Reed, Earle Ross, Jim Backus, Bea Benaderet and The Sportsmen Quartet, who would supply a song and sing the Colgate Tooth Powder commercials. (Blanc would later work with Reed and Benaderet on The Flintstones.) Shows usually adhered to a predictable formula, involving a date with his girl Betty Colby (Mary Jane Croft) and trying to either impress her father or at least avoid angering him. However, Mr. Colby (Earle Ross) usually had occasion to deliver his trademark line, "Mel Blanc, I'm going to break every bone in your body!"
For his contribution to radio, Mel Blanc has a star on the Hollywood Walk of Fame at 6385 Hollywood Boulevard.
Blanc died on July 10, 1989 at Cedars-Sinai Medical Center in Los Angeles, California of heart disease and emphysema. He was interred in the Hollywood Forever Cemetery in Hollywood, California. Blanc's will stated his desire to have the inscription on his gravestone read, "THAT'S ALL FOLKS," (the phrase was a trademark of the character Porky Pig, of whom, Blanc created the voice.)
For a more in depth insight into the life of this fascinating man, check out his extensive wikipedia page.
Below is a large collection of episodes of The Mel Blanc Show courtesy of Archive.org.
The Avenger is a fictional character whose original adventures appeared between September 1939 and September 1942 in the pulp magazine The Avenger, published by Street and Smith Publications. Five additional short stories were published in Clues Detective magazine (1942–1943), and a sixth novelette in The Shadow magazine in 1943. Newly-written adventures were commissioned and published by Warner Brother's Paperback Library from 1973 to 1974. The Avenger was a pulp hero who combined elements of Doc Savage and The Shadow though he was never as popular as either of these characters.
The authorship of the pulp series was credited by Street and Smith to Kenneth Robeson, the same byline that appeared on the Doc Savage stories. The "Kenneth Robeson" name was a house pseudonym used by a number of different Street & Smith writers. Most of the original Avenger stories were written by Paul Ernst.
In 1941 Walter Gibson turned The Avenger into a radio series that lasted 26 episodes. His origin and powers were so radically altered that this Avenger should probably be considered a brand new character. In the radio version The Avenger is biochemist Jim Brandon, who secretly fights crime using his inventions, a "Telepathic Indicator" which allows him to pick up thought flashes, and a "Diffusion Capsule" which provides a black light of invisibility. He is assisted by Fern Collier, the only person he trusts with his secret identity. per The Avenger page at International Catalog of Superheroes.
For a more in depth look at The Avenger, check out the extensive Wikipedia page.
The Alan Young Show is an American radio and television series presented in diverse formats over a nine-year period and starring Canadian-English actor Alan Young, of later Mister Ed fame.
The series began on NBC Radio as a summer replacement situation comedy in 1944, featuring vocalist Bea Wain. It then moved to ABC Radio with Jean Gillespie portraying Young's girlfriend Betty. The program was next broadcast by NBC for a 1946-47 run and was off in 1948. When it returned to NBC in 1949, Louise Erickson played Betty and Jim Backus was heard as snobbish playboy Hubert Updike III.
In 1950 The Alan Young Show moved to CBS television as a variety, sketch comedy show, taking an 11-month hiatus in 1952. When it returned for its final season in 1953, the tone and format of the show changed into the more conventional sitcom, with Young playing a bank teller with Dawn Addams (pictured) cast as his girlfriend and Melville Faber portraying his son. The show alternated weeks with Ken Murray's The Ken Murray Show under the title Time to Smile.
In the last two weeks of the season, the format returned to its earlier style, but it was cancelled at the end of the season. The Alan Young Show received two Emmy Awards during its run.
Nero Wolfe is a fictional detective, created in 1934 by the American mystery writer Rex Stout. Wolfe's confidential assistant Archie Goodwin narrates the cases of the detective genius. Stout wrote 33 novels and 39 short stories from 1934 to 1974, with most of them set in New York City. Wolfe's residence, a luxurious brownstone on West 35th Street, features prominently in the series. Many radio, television and film adaptations were made from his works.
The Nero Wolfe corpus was nominated for Best Mystery Series of the Century at Bouchercon 2000, the world's largest mystery convention, and Rex Stout was a nominee for Best Mystery Writer of the Century.
Nero Wolfe made his way to radio in 1943 in The Adventures of Nero Wolfe for ABC. Three actors portrayed Nero Wolfe over the course of the series. J.B. Williams starred in its first incarnation, broadcast Wednesdays on the New England Network (April 7–June 30, 1943). Santos Ortega assumed the role when the suspense drama moved to ABC on Mondays (July 5–September 27, 1943) and Fridays (January 21–July 14, 1944). Luis Van Rooten succeeded Ortega in 1944, Nero Wolfe's last year on ABC.
"Santos Ortega played Wolfe," wrote John McAleer in Rex Stout: A Biography. "John Gibson was Archie. Gibson was breezy and Ortega wheezy — indeed, he opened the program with a wheeze, as his signature... Rex thought the actors were creditable but winced at the plots. He never listened to the broadcasts... Louis Vittes was the chief scriptwriter and wrote most of the scripts. None of Rex's story material was used. All characters beside Wolfe, Archie and Cramer were ABC's own. For the use of Wolfe and Archie, Rex received a weekly royalty.
"Differences between (ABC producer) Hi Brown and Edwin Fadiman, who represented Rex's radio, screen and television interests, as Nero Wolfe Attractions, Inc., prevented its later resumption on ABC," McAleer reported. "This fact Brown regretted. 'Nero Wolfe,' Brown says, 'is one of the strongest and most successful detective characters in all of fiction.'"
"The series next surfaced early in 1946, on Sundays, on the Mutual Network," wrote Stout biographer John McAleer, "with Francis X. Bushman, one-time movie idol, as Wolfe, and Elliott Lewis as Archie. ... The scripts once again were network originals. The humor verged on slapstick." The concluding show in the series, "The Case of the Shakespeare Folio," aired December 15, 1946.
1950 -- 1951 Series: "THE NEW ADVENTURES OF NERO WOLFE" (25 episodes)
NETWORK: NBC, SPONSOR: SUSTAINED, TIME: Fridays: 8:00 - 8:30 pm
STARS: Sidney Greenstreet as Nero Wolfe. Archie played by various actors
WRITER: Louis Vittes based on the stories by Rex Stout; ANNOUNCER: Don Stanley; PRODUCER: Edwin Fadiman; DIRECTOR: J. Donald Wilson.
1982, 60 minutes
Mavor Moore and Don Francks
in the CBC Radio drama series Nero Wolfe.
In 1982, Canadian actor, producer, writer and cultural pioneer Mavor Moore (1919–2006) starred as Nero Wolfe in the Canadian Broadcasting Corporation's 13-episode radio series Nero Wolfe (a.k.a. Rex Stout's Nero Wolfe). Don Francks portrayed Archie Goodwin, and Cec Linder played Inspector Cramer.
The Lone Ranger is a fictional masked Texas Ranger who, with his Native American companion Tonto, fights injustice in the American Old West. The character has become an enduring icon of American culture.
He first appeared in 1933 in a radio show conceived either by WXYZ radio station owner George W. Trendle or by Fran Striker, the show's writer. The show proved to be a huge hit, and spawned an equally popular television show that ran from 1949 to 1957, as well as comic books and movies. The title character was played on radio by George Seaton, Earle Graser, and most memorably Brace Beemer. To television viewers, Clayton Moore was the Lone Ranger. Tonto was played by, among others, John Todd, Roland Parker, and in the television series, Jay Silverheels.
Departing on his white stallion, Silver, the Lone Ranger would shout, "Hi-yo, Silver! Away!" As they galloped off, someone would ask, "Who was that masked man anyway?" Tonto usually referred to the Lone Ranger as "Ke-mo sah-bee", meaning "trusty scout" or "trusted friend." These catchphrases, his trademark silver bullets, and the theme music from the William Tell overture are indelibly stamped in the memories of millions who came of age during the decades of the show's initial popularity or viewed the television series.
While details differ, the basic story of the origin of the Lone Ranger is the same in most versions of the franchise. Six Texas Rangers are ambushed by a band of outlaws led by Barthalamo "Butch" Cavendish. Later, a Native American named Tonto stumbles on the scene and recognizes the lone survivor, John Francis Reid, as the man who had saved his life some time in the past. He nurses Reid back to health. The two men dig six graves for Reid's comrades, among them Reid's brother, Captain Daniel Steven Reid who is the Captain of the Texas Rangers. John Reid fashions a black mask using material from his brother's vest to conceal his identity, so that Cavendish will think there were no survivors. Even after the Cavendish gang is brought to justice, Reid continues to fight evil under the guise of the Lone Ranger.
In every incarnation of the character to date, the Lone Ranger conducts himself by a strict moral code put in place by Striker at the inception of the character. Actors Clayton Moore and Jay Silverheels both took their positions as role models to children very seriously and tried their best to live by this creed. It reads as follows:
I believe...
that to have a friend, a man must be one.
that all men are created equal and that everyone has within himself the power to make this a better world.
that God put the firewood there, but that every man must gather and light it himself.
in being prepared physically, mentally, and morally to fight when necessary for that which is right.
that a man should make the most of what equipment he has.
that 'this government of the people, by the people, and for the people' shall live always.
that men should live by the rule of what is best for the greatest number.
that sooner or later...somewhere...somehow...we must settle with the world and make payment for what we have taken.
that all things change but truth, and that truth alone, lives on forever.
in my Creator, my country, my fellow man.
The Lone Ranger was a TV show that aired for eight seasons, from 1949 to 1957, and starred Clayton Moore as the Lone Ranger and Jay Silverheels as Tonto. Only five of the eight seasons had new episodes. It was the ABC television network's first big hit of the early 1950s. Moore's tenure as the Ranger is probably the best-known treatment of the franchise. For the show's third season, Moore sat out due to a contract dispute and was replaced by John Hart. Moore returned for the final two seasons. The fifth and final season was the only one shot in color. A total of 221 episodes were made.
In 1948, Western Publishing, with its publishing partner Dell Comics, launched a comic book series which lasted 145 issues. This originally consisted of reprints from the newspaper strips (as had all previous comic book appearances of the character in various titles from David McKay Publications and from Dell). However, new stories by writer Paul S. Newman and artist Tom Gill began with issue #38 (August 1951). Some original content was presented as early as #7 (January 1949), but these were non-Lone Ranger fillers. Newman and Gill produced the series until its the final issue, #145 (July 1962). The Dell series came to an end in 1962. Later that same year, Western Publishing ended its publishing partnership with Dell Comics and started up its own comic book imprint, Gold Key Comics. The new imprint launched its own Lone Ranger title in 1964. Initially reprinting material from the Dell run, original content did not begin until issue #22 in 1975, and the magazine itself folded with #28 in 1977.
The Lone Ranger has also seen incarnations on the silver screen, most recently in the 1981 box-office failure, The Legend of the Lone Ranger starring Klinton Spilsbury.
Walt Disney Pictures announced in September 2008 that Johnny Depp would be portraying Tonto in the latest adaptation entitled 'The Lone Ranger' with a projected release date of May 31st, 2013.
"I am the Whistler, and I know many things, for I walk by night. I know many strange tales, hidden in the hearts of men and women who have stepped into the shadows. Yes... I know the nameless terrors of which they dare not speak." -Opening to The Whistler
The Whistler was an American radio mystery drama which ran from May 16, 1942 until September 22, 1955. It was sponsored by the Signal Oil Company: "That whistle is your signal for the Signal Oil program, The Whistler." The program was adapted into a film noir series by Columbia Pictures in 1944.
The stories followed formula in which a person's criminal acts were typically undone either by an overlooked but important detail or by their own stupidity. On rare occasions a curious twist of fate caused the story to end happily for the episode's protagonist. Ironic twist endings were a key feature of each episode. The Whistler himself narrated, often commenting directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective.
Radio's Duffy's Tavern didn't translate well to film or television. Burrows and Matt Brooks collaborated on the screenplay for the 1945 film, Ed Gardner's Duffy's Tavern, in which Archie (with regulars Eddie and Finnegan) was surrounded by a throng of Paramount Pictures stars playing themselves.
