People Are Funny is an American radio and television game show, created by John Guedel that ran from 1942 to 1960 in which contestants were asked to carry out stunts.
The series began in 1938 when Guedel made an audition recording, and the following year, his concept of a comedy stunt show aired in Los Angeles as Pull Over, Neighbor, later reworked into All Aboard. Watching a bored, unreceptive audience listening to an after-dinner speaker, Guedel scribbled, "People are funny, aren't they?" on a napkin, and he had his title.
In 1942, learning of a show that was canceled, he pitched People Are Funny to NBC, and it went on the air April 10, 1942 with Art Baker as host. In a popular first-season stunt, a man was assigned to register a trained seal at the Knickerbocker Hotel while explaining that the seal was his girlfriend.
On October 1, 1943, Baker was replaced by Art Linkletter, who continued for the rest of the series. For a memorable stunt of 1945, Linkletter announced that $1,000 would go to the first person to find one of 12 plastic balls floating off California. Two years later, an Ennylageban Island native claimed the prize.
As the popularity of the program escalated, a movie musical titled People Are Funny was released in 1946, offering a fictional version of the show's origin in a tale of rival radio producers. Phillip Reed appeared as Guedel, with Linkletter and Frances Langford portraying themselves. Also in the cast were Jack Haley, Helen Walker, Ozzie Nelson and Rudy Vallée. One outstanding moment in the film is a Spanish dance number performed by Lupe Mayorga (aka Lillian Molieri) to the song "I Love My Marimba."
The radio series moved to CBS from 1951 to 1954, returning to NBC from 1954 to 1960.
Linkletter continued as host of the show during its run on television from September 19, 1954 to April 1, 1960. In one stunt, a contestant would win a prize if he could sustain a phone conversation with a puzzled stranger (picked at random from the phone directory) for several minutes without the other party hanging up. The series received Emmy nominations in 1955 and 1956. It finished #27 in the Nielsen ratings for the 1955-1956 season, then finished #21 for 1956-1957 and #29 for 1957-1958.
Although the series ended on April 1, 1960, the network aired encores until April 13, 1961, making People Are Funny the first game show to air repeats. On March 24, 1984, a "reconstituted" version of People Are Funny with Flip Wilson as host returned to NBC where it was telecast until July 21.
The series was satirized in the 1959 Warner Bros. cartoon, People Are Bunny. The Art Linkletter character was named Art Lamplighter, and the show was entitled People are Phoney, in which contestant Daffy Duck became one of his unfortunate victims.
People Are Funny is mentioned in the "Ladies Room" episode of the series Mad Men, and later a clip from the show is seen on a TV set in the background.
Meet Corliss Archer, a program from radio's Golden Age, ran from January 7, 1943, to September 30, 1956. Although it was CBS's answer to NBC's popular A Date with Judy, it was also broadcast by NBC in 1948 as a summer replacement for The Bob Hope Show. From October 3, 1952, to June 26, 1953, it aired on ABC, finally returning to CBS. Despite the program's long run, fewer than 24 episodes are known to exist.
Priscilla Lyon and Janet Waldo successively portrayed 15-year-old Corliss on radio. Lugene Sanders also played Corliss briefly on radio and in the Meet Corliss Archer television show.
Perpetually perky, breathless and well-intentioned, Corliss is constantly at the side of her next-door neighbor and boyfriend, Dexter Franklin (Bill Christy, Sam Edwards). Clumsy, nerdy Dexter, a sweet but constant bungler with a nasal voice, is best remembered for his trademark phrase, "Holy cow!" and his braying call, "Heyyyy, Corrrrrliiiiiss!"--frequently delivered from the hedge separating their houses.
Harry Archer, Corliss' father, is a lawyer who tolerates Dexter only when he wants to use him to help flaunt male superiority. Gruff but gentle, he was played by Bob Bailey, Fred Shields, and Frank Martin. Janet Archer, Corliss' mother, was played by Irene Tedrow, Monty Margetts, and Gloria Holden. She is calm and understanding with her daughter and her husband, both of whom sometimes try her patience. Other frequent characters include Mildred Ames, a good friend of Corliss (played by Bebe Young and Barbara Whiting); Mildred's irritating younger brother Raymond (Tommy Bernard, Kenny Godkin); and Corliss' rival, Betty Cameron (Delores Crane).
Meet Corliss Archer was written by F. Hugh Herbert, who first introduced the character and her friends in the magazine story "A Private Affair," the first of a series of stories. Kiss and Tell was a 1943 play that was adapted for a 1945 film starring Shirley Temple. The 1949 sequel, A Kiss For Corliss, was re-released in 1954.
Like many other radio shows, Meet Corliss Archer made the leap to television with live performances in 1951 and 1952, and from 1954 to 1955, as a syndicated television show starring Ann Baker and Mary Brian. One of the show's unique features was the occasional cut to a comic-book-style drawing, with announcer's commentary, that illustrated the current story situation and was used several times during each episode. The program was produced by Ziv Productions.
Radio listeners had to use their imaginations to visualize Corliss, her friends, and her town. But those imaginations got a boost in 1948 when the Meet Corliss Archer comic book, published by Fox Feature Syndicate, came out in three issues from March to July 1948. Al Feldstein (Albert B. Feldstein), later the editor of Mad, was a key writer and illustrator of this short-lived comic book series, which is now remembered primarily for his artwork in general and the good girl art covers in particular. Film strips and radio microphones on the front cover indicated the tie-ins and media crossovers. Janet Waldo was depicted on the front cover twice, as herself and as Corliss.
Simon Templar is a British fictional character known as The Saint. He featured in a long-running series of books by Leslie Charteris published between 1928 and 1963. After that date, other authors collaborated with Charteris on books until 1983; two additional works produced without Charteris’s participation were published in 1997. The character has also been portrayed in motion pictures, radio dramas, comic strips, comic books and three television series.
Simon Templar is a Robin Hood-like criminal known as The Saint — plausibly from his initials, but the exact reason for his nickname is not known (although we're told that he was given it at the age of nineteen). Templar has aliases, often using the initials S.T. such as "Sebastian Tombs" or "Sugarman Treacle". Blessed with boyish humor, he makes humorous and off-putting remarks and leaves a "calling card" at his "crimes", a stick figure of a man with a halo. This is used as the logo of the books, the movies, and the 1960s TV series. He is described as "buccaneer in the suits of Savile Row, amused, cool, debonair, with hell-for-leather blue eyes and a saintly smile..."
Several radio drama series were produced in North America, Ireland, and Britain. The earliest was for Radio Eireann's Radio Athlone in 1940 and starred Terence De Marney. Both NBC and CBS produced Saint series during 1945, starring Edgar Barrier and Brian Aherne.
Many early shows were adaptations of published stories, although Charteris wrote several storylines for the series which were novelized as short stories and novellas. The longest-running radio incarnation was Vincent Price, who played the character in a series between 1947 and 1951 on three networks: CBS, Mutual, and NBC.
Like The Whistler, the program had an opening whistle theme with footsteps. Some sources say the whistling theme for The Saint was created by Leslie Charteris while others credit RKO composer Roy Webb. Price left in May 1951, replaced by Tom Conway, who played the role for several more months. His brother, George Sanders, had played Templar on film. The next English-language radio series aired on Springbok Radio in South Africa between 1953 and 1957. These were fresh adaptations of the original stories and starred Tom Meehan. Around 1965–66 the South African version of Lux Radio Theatre produced a single dramatization of The Saint. The English service of South Africa produced another series of radio adventures for six months in 1970–1971. The next English-language incarnation was a series of three radio plays on BBC Radio 4 in 1995 starring Paul Rhys.
Ellery Queen is both a fictional character and a pseudonym used by two American cousins from Brooklyn, New York—Daniel Nathan, alias Frederic Dannay (October 20, 1905 – September 3, 1982) and Emanuel Benjamin Lepofsky, alias Manfred Bennington Lee (January 11, 1905 – April 3, 1971)—to write, edit, and anthologize detective fiction. The fictional Ellery Queen created by Dannay and Lee is a mystery writer and amateur detective who helps his father, a New York City police inspector, solve baffling murders.
Ellery Queen was created in 1928 when Dannay and Lee entered a writing contest sponsored by McClure's Magazine for the best first mystery novel. They decided to use as their collective pseudonym the same name that they had given their detective. Inspired by the formula and style of the Philo Vance novels by S. S. Van Dine, their entry won the contest, but before it could be published, the magazine closed. Undeterred, the cousins took their novel to other publishers, and The Roman Hat Mystery was published in 1929.
The Roman Hat Mystery established a reliable template: a geographic formula title (The Dutch Shoe Mystery, The Egyptian Cross Mystery, etc.); an unusual crime; a complex series of clues and red herrings; multiple misdirected solutions before the final truth is revealed, and a cast of supporting characters including Ellery's father, Inspector Richard Queen, and his irascible assistant, Sergeant Velie. What became the most famous part of the early Ellery Queen books was the "Challenge to the Reader." This was a single page near the end of the book declaring that the reader had seen all the same clues Ellery had, and that only one solution was possible. According to novelist/critic Julian Symons, "The rare distinction of the books is that this claim is accurate. There are problems in deduction that do really permit of only one answer, and there are few crime stories indeed of which this can be said."
In a successful series of novels and short stories that covered 42 years, "Ellery Queen" served as a joint pseudonym for the cousins Dannay and Lee, as well as the name of the primary detective-hero they created. During the 1930s and much of the 1940s, that detective-hero was possibly the best known American fictional detective. Movies, radio shows, and television shows were based on Dannay and Lee's works.
The two writers, particularly Dannay, were also responsible for co-founding and directing Ellery Queen's Mystery Magazine, generally considered one of the most influential English-language crime fiction magazines of the last sixty-five years. They were also prominent historians in the field, editing numerous collections and anthologies of short stories such as The Misadventures of Sherlock Holmes. Their 994-page anthology for The Modern Library, 101 Years' Entertainment: The Great Detective Stories, 1841–1941, was a landmark work that remained in print for many years. Under their collective pseudonym, the cousins were given the Grand Master Award for achievements in the field of the mystery story by the Mystery Writers of America in 1961.
On radio, The Adventures of Ellery Queen was heard on all three networks from 1939 to 1948. During the 1970s, syndicated radio fillers, Ellery Queen's Minute Mysteries, began with an announcer saying, "This is Ellery Queen..." and contained a short one-minute case. The radio station encouraged callers to solve the mystery and win a sponsor's prize. Once a winner was found, the solution was broadcast as confirmation. A complete episode guide and history of this radio program can be found in the book The Sound of Detection: Ellery Queen's Adventures in Radio, published by OTR Publishing in 2002. The Adventure of the Murdered Moths (Crippen & Landru, 2005) is the first book edition of many of the radio scripts.
Helene Hanff, best known for her book 84 Charing Cross Road, was a scripter for the television series version of The Adventures of Ellery Queen (1950–1952), which began on the DuMont Television Network but soon moved to ABC. Shortly after the series began, Richard Hart, who played Queen, died and was replaced in the lead role by Lee Bowman. The series returned to DuMont in 1954 with Hugh Marlowe in the title role. George Nader played Queen in The Further Adventures of Ellery Queen (1958–1959), but he was replaced with Lee Philips in the final episodes.
Peter Lawford starred in a television movie, Ellery Queen: Don't Look Behind You, in 1971. Veteran actor Harry Morgan played Inspector Queen, but in this film he was described as Ellery's uncle (perhaps to account for the fact that Morgan was only eight years Lawford's senior, or for Lawford's English accent). This film is loosely based on Cat of Many Tails.
The 1975 television movie Ellery Queen (a.k.a. "Too Many Suspects"—a loose adaptation of The Fourth Side of the Triangle) led to the 1975–1976 Ellery Queen television series starring Jim Hutton in the title role (with David Wayne as his widowed father). The series was done as a period piece set in New York City in 1946-1947. Sergeant Velie, Inspector Queen's assistant, was a cast regular in this series; he had appeared in the novels and the radio series, but had not been seen regularly in any of the previous television versions. Each episode contained a "Challenge to the Viewer" with Ellery breaking the fourth wall to go over the facts of the case and invite the audience to solve the mystery on their own, immediately before the solution was revealed. Each episode of the 1975 television series featured a number of Hollywood celebrities. Eve Arden, George Burns, Joan Collins, Roddy McDowall, Milton Berle, Guy Lombardo, Rudy Vallée, and Don Ameche were among the guests. Richard Levinson and William Link, the creators of the series had won a Special Edgars Award for creating the Columbo and Ellery Queen TV series.
In 2011, the Leverage episode "The 10 Li'l Grifters Job", Timothy Hutton's character Nate Ford appears at a costumed murder mystery party as Ellery Queen, in a homage to the actor's late father, Jim.
Perry Mason is a radio crime serial based on the novels of Erle Stanley Gardner. Broadcast weekdays on CBS Radio from 1943 to 1955, the series was adapted into The Edge of Night which ran on television for an additional 30 years.
The 15-minute continuing series Perry Mason aired weekdays October 18, 1943 – December 30, 1955, on CBS Radio. Geared more towards action than courtroom drama, it mixed mystery and soap opera, with attorney Perry Mason sometimes even exchanging gunfire with criminals.
Erle Stanley Gardner's literary success with the Perry Mason novels convinced Warner Bros. to try its hand, unsuccessfully, with some motion pictures. However, the Perry Mason radio show stayed on the air for 12 years.
As The Edge of Night, it ran for another 30 years on television, but Gardner disliked the proposed daytime television version due to a lack of his own creative control. He ultimately withheld his endorsement of the daytime TV show, forcing the name change.
The actors portraying Mason switched frequently over the first three years of the show's run, starting with Bartlett Robinson, then followed by Santos Ortega and Donald Briggs. John Larkin took over the starring role March 31, 1947, and portrayed Perry Mason until the end of the series.
Radio's Perry Mason has more in common, in all but name, with the daytime serial The Edge of Night than the subsequent prime-time Perry Mason television show. As many radio serials moved to television, so was to be the destiny of Perry Mason. However, Gardner disagreed with the direction of the new show and pulled his support. The sponsor, Procter & Gamble hired the writers and staff of the Perry Mason radio series, the show was retooled, and it became The Edge of Night. The characters and setting were renamed. Gardner eventually aligned himself with the nighttime courtroom drama.
The Edge of Night was conceived as the daytime-TV version of Perry Mason. Mason's creator, Erle
Stanley Gardner, was to create and write the show, but a last-minute tiff between him and CBS caused Gardner to pull his support. CBS insisted that Mason be given a love interest to placate daytime soap opera audiences, but Gardner flatly refused to take Mason in that direction. Gardner would eventually patch up his differences with CBS and Perry Mason would debut in prime time in 1957.
Two actors who played Perry Mason on radio, Bartlett Robinson and John Larkin, appeared in episodes of the CBS-TV series, Perry Mason, starring Raymond Burr.
Have Gun – Will Travel is an American Western television series that aired on CBS from 1957 through 1963. It was rated number three or number four in the Nielsen ratings every year of its first four seasons. It was one of the few television shows to spawn a successful radio version. The radio series debuted on November 23, 1958.
This series follows the adventures of a man calling himself "Paladin," a gentleman gunfighter (played by Richard Boone on television and voiced by John Dehner on radio). He prefers to settle without violence the difficulties brought his way by clients who pay him. When forced, he excels in fisticuffs and, under his real name, was a dueling champion of some renown.
Have Gun – Will Travel was created by Sam Rolfe and Herb Meadow. The title was a catchphrase used in personal advertisements in newspapers like The Times, indicating that the advertiser was ready for anything. It was used this way from the early 20th century. A form common in theatrical advertising was "Have tux, will travel," and CBS claimed this was the inspiration for the writer Herb Meadow. The television show popularized the phrase in the 1960s, and many variations were used as titles for other works such as Have Space Suit—Will Travel by Robert Heinlein.
Paladin is a mercenary, a soldier of fortune, accepting commissions from people who seek to engage his services. He is not above scanning newspaper headlines to offer his services to people whose troubles find their way into print. In the parlance of chivalry, since Paladin is not attached to the service of anyone liege lord, his is "a freelance." He makes it clear that his time is all his clients hire for their particular jobs.
A "paladin" is a knight, a paragon of chivalry; a heroic champion of a cause: "like Charlemagne's fabled Roland," as the Honourable Diana Coulter (Patricia Medina) notes in "The Lady". Using this nom-de-guerre Paladin makes clear that he is motivated by a code of chivalry to act justly in a just cause. He exhibits a passion for justice as well as for the rule of law, which means that he is constantly forced to differentiate between the two concepts.
The Have Gun – Will Travel radio show broadcast 106 episodes on the CBS Radio Network between November 23, 1958, and November 27, 1960. It was one of the last radio dramas featuring continuing characters and the only significant American radio adaptation of a television series. John Dehner played Paladin, and Ben Wright usually (but not always) played Hey Boy. Virginia Gregg played Miss Wong, Hey Boy's girlfriend before the television series featured the character of Hey Girl. Unlike the small-screen version, in this medium, there was usually a tag scene at the Carlton at both the beginning and the end of the episode. Initially, the episodes were adaptations of the television program as broadcast earlier the same week, but eventually, original stories were produced, including a finale ("Goodbye, Paladin") in which Paladin leaves San Francisco, apparently forever, to claim an inheritance back east. The radio version was written by producer/writer Roy Winsor.
Many of the writers who worked on Have Gun – Will Travel went on to gain fame elsewhere. Gene Roddenberry created Star Trek, Bruce Geller created Mission: Impossible, and Harry Julian Fink is one of the writers who created Dirty Harry (the opening title and theme scene of the Dirty Harry sequel Magnum Force would feature the same Paladin-like sequence of a handgun being slowly cocked and then finally pointed toward the camera, with a line of dialogue). Sam Peckinpah wrote one episode, which aired in 1958. Both Star Trek and Mission: Impossible were produced by Desilu Productions and later Paramount Television, which also now owns the rights to Have Gun – Will Travel through its successor company, CBS Television Distribution.
This photo shows radio's Paladin, John Dehner, with TV's Paladin, Richard Boone.
Let George Do It is an American radio drama series produced from 1946 to 1954 by Owen and Pauline Vinson. Bob Bailey starred as private investigator George Valentine; Olan Soule voiced the role in 1954. Don Clark directed the scripts by David Victor and Jackson Gillis.
The few earliest episodes were more sitcom than private eye shows, with a studio audience providing scattered laughter. The program then changed into a suspenseful tough guy private eye series.
Sponsored by Standard Oil of California, now known as Chevron, the program was broadcast on the West Coast Don Lee network of the Mutual Broadcasting System from October 18, 1946, to September 27, 1954, first on Friday evenings and then on Mondays. In its last season, transcriptions were aired in New York Wednesdays at 9:30 p.m. from January 20, 1954, to January 12, 1955.
Clients came to Valentine's office after reading a newspaper that carried his classified ad:
Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine. Write full details!
The newspaper ad varied from show to show, but always opened with "Danger is my stock in trade" and closed with "Write full details!"
George Valentine was a professional detective. Valentine's secretary was Claire Brooks, a.k.a. Brooksie (voiced by Frances Robinson, then by Virginia Gregg, and then by Lillian Buyeff). As Valentine made his rounds in search of perpetrators, he occasionally encountered Brooksie's kid brother, Sonny (Eddie Firestone) or elevator man Caleb (Joseph Kearns). Police Lieutenant Riley (Wally Maher) was a more regular guest. For the first few shows, Sonny was George's assistant, given to exclamations such as "Jeepers!" but he was soon relegated to an occasional character.
John Hiestand was the program's announcer.
The background music was supplied by Eddie Dunstedter, initially with a full orchestra. When television supplanted radio as the country's primary home entertainment, radio budgets got skimpier and skimpier and Dunstedter's orchestra was replaced by an organ.
The serial came to radio as a syndicated show on New York City's WOR on February 12, 1940. On Mutual, it was broadcast from August 31, 1942, to February 4, 1949, as a 15-minute serial, running
three or, usually, five times a week. From February 7 to June 24, 1949 it ran as a thrice-weekly half-hour show. The series shifted to ABC Saturday evenings on October 29, 1949, and then returned to afternoons, twice-a-week on June 5, 1950, continuing on ABC until March 1, 1951. In all, 2068 original episodes of The Adventures of Superman were aired on American radio.
Created by Jerry Siegel and Joe Shuster, the Man of Steel first appeared in Action Comics #1 in 1938. The following year, the newspaper comic strip began and four audition radio programs were prepared to sell Superman as a radio series. When Superman was first heard on radio less than two years after the comic book appearance, the character took on an added dimension with Bud Collyer in the title role. During World War II and the post-war years, the juvenile adventure radio serial, sponsored by Kellogg's Pep, was a huge success, with many listeners following the quest for "truth
and justice" in the daily radio broadcasts, the comic book stories and the newspaper comic strip. Airing in the late afternoon (variously at 5:15pm, 5:30pm and 5:45pm), the radio serial engaged its young after-school audience with its exciting and distinctive opening, which changed slightly as the series progressed. Most familiar today is the television opening, which copied the radio opening from 1945 onward (save for "and the American Way" line, which was an even later addition) but the most-oft-heard radio opening through the mid-1940s was:
"Presenting the transcription feature, Superman." (followed by Superman's "flying" audio effect)
"Up in the sky! Look! It's a bird! It's a plane! It's Superman!"
"Yes, it's Superman--strange visitor from the planet Krypton who came to Earth with powers and abilities far beyond those of mortal men. Superman, who can leap tall buildings in a single bound, race a speeding bullet to its target, bend steel in his bare hands, and who, disguised as Clark Kent, mild-mannered reporter for a great Metropolitan newspaper, fights a never-ending battle for truth and justice."
By September 5, 1945, the opening, (repeated at the close), had morphed into:
"Faster than a speeding bullet. More powerful than a locomotive. Able to leap tall buildings in a single bound." Look! Up in the sky! It's a bird! It's a plane! It's Superman!"
That well known signature opening, one of the most famous in radio history, was delivered by Jackson Beck, the announcer-narrator for the program from 1943 to 1950. He also had recurring roles, voicing an occasional tough guy and also portraying Beany Martin, the Daily Planet's teenage copy boy. On Superman episodes featuring Batman, he played Bruce Wayne's butler, Alfred Pennyworth. Decades later, Beck portrayed Perry White, Clark Kent's boss, in Filmation's The New Adventures of Superman animated series (1966–70) in addition to serving as the show's narrator.
Just as Superman's true identity remained a secret, the identity of radio actor Bud Collyer also remained a secret from 1940 until 1946, when the character of Superman was used in a promotional campaign for racial and religious tolerance and Collyer did a Time magazine interview about that campaign.
Since there were no reruns at that time, the series often used plot devices and plot twists to allow Collyer to have vacation time. Kryptonite allowed Superman to be incapacitated and incoherent with pain while the secondary characters took the focus instead. At other times, Batman (Stacy Harris) and Robin (Ronald Liss) appeared on the program in Superman's absence.
The scripts by B.P. Freeman and Jack Johnstone were directed by Robert and Jessica Maxwell,
George Lowther, Allen Ducovny and Mitchell Grayson. Sound effects were created by Jack Keane, Al Binnie, Keene Crockett and John Glennon.
Many aspects associated with Superman, such as kryptonite, originated on radio, as did certain characters, including Daily Planet editor Perry White, copy boy Jimmy Olsen and police inspector Bill Henderson. On March 2, 1945, Superman met Batman and Robin for the first time.
Paramount's animated Superman short films used voices by the radio actors, and Columbia's Superman movie serials (1948, 1950) were "adapted from the Superman radio program broadcast on the Mutual Network".
In Australia, Superman was portrayed on radio by Leonard Teale (1922–1994).
My initial introduction to old time radio programs was probably as a child back in 1974 when my parents collected and sent away Kellogg's cereal box-tops for four LP records featuring installments of the Superman radio series. Yes, I still have these albums, they are very dear to me. They are currently framed and mounted on the wall in my home office.
Inner Sanctum Mystery, also known as Inner Sanctum, a popular old-time radio program that aired from January 7, 1941 to October 5, 1952, was created by producer Himan Brown and was based on the generic title given to the mystery novels of Simon and Schuster. In all, 526 episodes were broadcast.
This anthology series featured stories of mystery, terror and suspense, and its tongue-in-cheek introductions were in sharp contrast to shows like Suspense and The Whistler. The early 1940s programs opened with Raymond Edward Johnson introducing himself as, "Your host, Raymond," in a mocking sardonic voice. A spooky melodramatic organ score (played by Lew White) punctuated Raymond's many morbid jokes and playful puns. Raymond's closing was an elongated "Pleasant dreeeeaams, hmmmmm?" His tongue-in-cheek style and ghoulish relish of his own tales became the standard for many such horror narrators to follow, from fellow radio hosts like Ernest Chappell (on Wyllis Cooper's later series, Quiet, Please) and Maurice Tarplin (on The Mysterious Traveler).
When Johnson left the series in May 1945 to serve in the Army, he was replaced by Paul McGrath, who did not keep the "Raymond" name and was known only as "Your Host" or "Mr. Host". (Berry Kroeger had substituted earlier for a total of four episodes). McGrath was a Broadway actor who turned to radio for a regular income. Beginning in 1945, Lipton Tea sponsored the series, pairing first Raymond and then McGrath with cheery commercial spokeswoman Mary Bennett (aka the "Tea Lady"), whose blithesome pitches for Lipton Tea contrasted sharply with the macabre themes of the stories. She primly chided the host for his trademark dark humor and creepy manner.
The program's familiar and famed audio trademark was the eerie creaking door which opened and closed the broadcasts. Himan Brown got the idea from a door in the basement that "squeaked like Hell." The door sound was actually made by a rusty desk chair. The program did originally intend to use a door, but on its first use, the door did not creak. Undaunted, Brown grabbed a nearby chair, sat in it and turned, causing a hair-raising squeak. The chair was used from then on as the sound prop. On at least one memorable occasion, a staffer innocently repaired and oiled the chair, thus forcing the sound man to mimic the squeak orally.
Its campy comedy notwithstanding, the stories were usually effective little chillers, mixing horror and humor in equal doses. Memorable episodes included "Terror by Night" (September 18, 1945) and an adaptation of "The Tell-Tale Heart" (August 3, 1941). The latter starred Boris Karloff, who was heard regularly in the first season, starring in more than 15 episodes and returning sporadically thereafter.
Other established stars in the early years included Mary Astor, Helen Hayes, Peter Lorre, Paul Lukas, Claude Rains, Frank Sinatra, Orson Welles. Most of the lead and supporting players were stalwarts of New York radio. These included Santos Ortega, Larry Haines, Ted Osborne, Luis van Rooten, Stefan Schnabel, Ralph Bell, Mercedes McCambridge, Berry Kroeger, Lawson Zerbe, Arnold Moss, Leon Janney, Myron McCormick, Ian Martin, and Mason Adams. Players like Richard Widmark, Everett Sloane, Burgess Meredith, Agnes Moorehead, Ken Lynch, Anne Seymour, and Santos Ortega also found fame or notability in film or television.
Of more than 500 programs broadcast, only about 200 remain in circulation, sometimes minus dates or titles.
A series of six low-budget Universal Horror movies starring Lon Chaney, Jr. and based on the radio show was produced in the 1940s: Calling Dr. Death (1943), Weird Woman (1944), Dead Man's Eyes (1944), The Frozen Ghost (1945), Strange Confession (1945) and Pillow of Death (1945).A Film Classics release Inner Sanctum was made in 1948.
The 1954 syndicated television series featured Paul McGrath as the off-camera host/narrator. The TV shows were produced at the Chelsea Studios in New York City.
In the 1970s, with his CBS Radio Mystery Theater series, Himan Brown recycled both the creaking door opening, and to a lesser extent, the manner of Raymond. The hosts were E. G. Marshall and Tammy Grimes. In later repeats during the 1990s, Brown himself mimicked Raymond's "Pleasant dreeeeaaams, hmmmmm?" for the familiar closing.
Sad Sack is an American fictional comic strip and comic book character created by Sgt. George Baker during World War II. Set in the United States Army, Sad Sack depicted an otherwise unnamed, lowly private experiencing some of the absurdities and humiliations of military life. The title was a euphemistic shortening of the military slang "sad sack of shit", common during World War II. The phrase has come to mean "an inept person" or "inept soldier".
Originally drawn in pantomime by Baker, The Sad Sack debuted June 1942 as a comic strip in the first issue of Yank, the Army Weekly. It proved popular, and a hardcover collection of Baker's wartime Sad Sack strips was published by Simon & Schuster, Inc. in 1944, with a follow-up, The New Sad Sack (1946). The original book was concurrently published as an Armed Services edition mass market paperback, in that edition's standard squarebound, horizontal, 5 5/8" × 4" format, by Editions for the Armed Services, Inc., a non-profit organization of The Council on Books in Wartime; it was #719 in the series of Armed Service editions.
After the war ended, The Sad Sack ran in newspaper syndication in the United States until 1957. Baker then sold the rights to Harvey Comics, which produced a large number of commercial spin-offs.
Private Sad Sack (played by Mel Blanc) made an appearance with Bob Hope and Betty Grable on the April 29, 1944 episode of G.I. Journal. The voice Blanc used was a stuttering delivery similar to Porky Pig. The character as voiced by Blanc appeared in multiple other broadcasts of "G.I. Journal".
Sponsored by Old Gold Cigarettes, The Sad Sack radio program ran in 1946 as a summer replacement series for The Frank Sinatra Show. It starred Herb Vigran in the title role with Jim Backus, Sandra Gould, Ken Christy and Patsy Moran. Dick Joy was the announcer for the series which began June 12, 1946 with the episode "Sack Returns Home from the Army" and continued until September 4 of that year.
Quiz Kids was a popular radio and TV series of the 1940s and 1950s. Created by Chicago public relations and advertising man Louis G. Cowan, and originally sponsored by Alka-Seltzer, the series was first broadcast on NBC from Chicago, June 28, 1940, airing as a summer replacement show for Alec Templeton Time. It continued on radio for the next 13 years. On television, the show was seen on NBC and CBS from July 6, 1949 to July 5, 1953, with Joe Kelly as quizmaster, and again from January 12 to September 27, 1956, with Clifton Fadiman as host.
The premise of the original show involved Kelly asking questions sent in by listeners and researched by Eliza Hickok and Rachel Stevenson. Kelly often said that he was not an intellectual, and that he could not have answered any of the questions without knowing the answer from his flash card. Yet he was remarkably kind and affable, and put even novice young contestants at ease immediately. The answers were supplied by a panel of five children, chosen for their high IQs, strong academic interests, and appealing personalities, as well as such qualities as poise, quickness, and sense of humor. One of the first Quiz Kids was seven-year-old nature expert Gerard Darrow. For the initial premiere panel he was joined by Mary Ann Anderson, Joan Bishop, Van Dyke Tiers and Charles Schwartz.
Other Quiz Kids of the 1940s were Joan Alizier, Lois Jean Ashbeck, Claude Brenner, Geraldine Hamburg, Mary Clare McHugh, war refugee Gunther Hollander and math experts Joel Kupperman and Richard Williams. Panelists rotated, with the three top scorers each week joined by two others the following week; they were no longer eligible to participate once they reached the age of 16.
The Black Museum was a 1951 radio crime-drama program independently produced by Harry Alan Towers and based on real-life cases from the files of Scotland Yard's Black Museum. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Although often mistakenly cited as being produced for the BBC, the series was produced and syndicated commercially by Towers throughout the English-speaking world.
Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. The show's opening began:
"This is Orson Welles, speaking from London."
(Sound of Big Ben chimes) "The Black Museum... a repository of death. Here in the grim stone structure on the Thames which houses Scotland Yard is a warehouse of homicide, where everyday objects... a woman’s shoe, a tiny white box, a quilted robe... all are touched by murder."
Walking through the museum, Welles would pause at one of the exhibits, and his description of an artifact served as a device to lead into a wryly-narrated dramatised tale of a brutal murder or a vicious crime. In the closing:
"Now until we meet again in the same place and I tell you another tale of the Black Museum", Welles would conclude with his signature radio phrase, "I remain, as always, obediently yours".
With the story themes deriving from objects in the collection (usually with the names of the people involved changed but the facts remaining true to history), the 52 episodes had such titles as "The Tartan Scarf" and "A Piece of Iron Chain" or "Frosted Glass Shards" and "A Khaki Handkerchief". An anomaly to the series was an episode called "The Letter" as this was the only story not about murder, but about forgery.
In the United States, the series aired on the Mutual Network between January 1 and December 30, 1952.
Beginning May 7, 1953, it was also broadcast over Radio Luxembourg sponsored by the cleaning
products Dreft and Mirro. Since the BBC carried no commercials, Radio Luxembourg aired sponsored programs at night to England.
In the United States, there was a contemporary programme called Whitehall 1212 written and directed by Wyllis Cooper and broadcast by NBC, that was similar in scope to The Black Museum. It was hosted by Chief Superintendent John Davidson, curator of the Black Museum. It used many of the same picked cases as The Black Museum, and it nearly mirrored its broadcast run. The two shows
were different in the respect that while Whitehall 1212 told the story of a case entirely from the point of view of the police starting from the crime scene, The Black Museum was more heavily dramatized and played out scenes of the actual murders and included scenes from the criminal's point of view.
Trivia:
Two episodes, "The Car Tire" and "The Gas Receipt," were the same story with minor differences between the two. Another pair of episodes, "The Baby's Jacket" and "The Spectacles," were based on the same case, as were "The Tan Shoe" and "The Leather Bag."
Four famous murder cases were dramatized on The Black Museum: John George Haigh, the "Acid Bath Murderer"; George Joseph Smith, the "Brides in the Bath Murderer"; Adelaide Bartlett, whose husband died from chloroform poisoning; and Florence Maybrick, who allegedly used arsenic from fly-paper to murder her husband James Maybrick (who was recently suspected of being Jack the Ripper courtesy of the 1993 publication of The Diary of Jack the Ripper).
In "Open End Wrench" it's mistakenly stated that the culprit was executed in Dartmoor. No 20th century executions were carried out in Dartmoor. Built during the Napoleonic Wars to contain French and American POWs, it was, after lying idle from 1815 to 1850, later commissioned as a convict gaol and used for dangerous long-term prisoners only.
Mr. Keen, Tracer of Lost Persons was one of radio's longest running shows, airing October 12, 1937 to April 19, 1955, continuing well into the television era. It was produced by Frank and Anne Hummert, who based it upon Robert W. Chambers' 1906 novel The Tracer of Lost Persons. The sponsors included Whitehall Pharmacal (as in Anacin, Kolynos Toothpaste, BiSoDol antacid mints, Hill's cold tablets and Heet liniment), Dentyne, Aerowax, RCA Victor and Chesterfield cigarettes. It aired on the NBC Blue network until 1947, when it switched to CBS.
Bennett Kilpack began as Mr. Keen in 1937 with Arthur Hughes and then Phil Clarke stepping into the role later in the series. For 18 years the kindly Keen and his faithful assistant, Mike Clancy (Jim Kelly), entertained followers with their intuitive perception that kept listeners coming back for more. With 1690 nationwide broadcasts, Mr. Keen was the most resilient private detective in a namesake role. The nearest competitors were Nick Carter, Master Detective (726 broadcasts), The Adventures of Sherlock Holmes (657) and The Adventures of the Falcon (473). Only 59 of the 1690 Mr. Keen programs are known to survive.
Richard Leonard directed scripts by Barbara Bates, Stedman Coles, Frank Hummert, Lawrence Klee and Bob Shaw. James Fleming and Larry Elliott were the announcers. Al Rickey's band provided the background music, including the program's theme, "Someday I'll Find You."
The cliches, stereotypes and simplistic dialogue provided much fodder for Bob and Ray's memorable parody, Mr. Trace, Keener Than Most Persons, broadcast in numerous variations. It was also satirized by Harvey Kurtzman and Jack Davis in Mad's fifth issue (June-July 1953) as "Kane Keen!"
The character of Mr. Keen was referenced by Alfred Hitchcock in one of his television shows, according to The Alfred Hitchcock Presents Companion by Patrik Wikstrom and Martin Grams, Jr. Mr. Keen is also mentioned in the stage version of Bye Bye Birdie by the character Mr. Harry MacAfee, who was played by Paul Lynde.
The New Adventures of Sherlock Holmes is an old-time radio show which aired in the USA from October 2, 1939 to July 7, 1947. Most episodes were written by the team of Dennis Green and Anthony Boucher; some early episodes were written by Green and Leslie Charteris.
Originally, the show starred Basil Rathbone as Sherlock Holmes and Nigel Bruce as Doctor Watson. Together, they starred in 220 episodes which aired weekly on Mondays from 8:30 to 9:00pm. Bromo Quinine sponsored some of the earlier programs on the NBC Blue Network and for a period Parker Pen was the sponsor. The show first aired on the Blue Network but later moved to the Mutual Broadcasting System. It was originally broadcast from Hollywood. During World War II, the show was also broadcast overseas through the Armed Forces Radio Service. It is unknown exactly how many of the original 220 shows have survived, 53 are currently known to be in circulation.
Basil Rathbone's last episode as the famous Detective was "The Singular Affair of the Baconian Cipher." He was eager to separate himself from the show to avoid being typecast as Sherlock Holmes, and even though the show's sponsor Petri Wine offered him generous pay to continue, he decided to move on. Once he did, the sponsor did as well, and Tom Conway took the starring role, though Nigel Bruce got top billing and was always announced first. The new sponsor was Kreml Hair Tonic for Men, and the new series lasted only 39 episodes. Bruce and Conway then left the series. From then until 1950 the series continued as "Sherlock Holmes" with various actors playing the two principal parts.
With Rathbone and Bruce, the show exhibited an interesting introduction. The sponsor's spokesman, usually Knox Manning or Harry Bartell, or, during the show's initial season and again in the final season, Joseph Bell, would show up weekly at Dr. Watson's house (then retired and living in California), and share a story about Holmes and his adventures over a glass of Petri wine. This offered them the chance to sometimes bring in other characters to contribute to the story, and also gave Watson a chance to summarize or add additional tidbits at the end. Another interesting thing about this radio show's introductions was Dr. Watson's anecdotes and comments about his dogs usually referred to as the "Puppies."
List of Holmes and Watson actors on the program:
Holmes - Basil Rathbone (1939-1946) - Tom Conway {1947) - John Stanley (1947-1949) - Ben Wright (1947, 1949-1950)
Watson - Nigel Bruce (1939-1946) - Joseph Kearns (1946, stand in for Nigel Bruce) - Alfred Shirley (1947-1948) - Ian Martin (1947) - Wendell Holmes (credited as "George Spelvin") (1948-1949) - Eric Snowden (1946, 1949-1950).
People Are Funny is an American radio and television game show, created by John Guedel that ran from 1942 to 1960 in which contestants were asked to carry out stunts.
In 1942, learning of a show that was canceled, he pitched People Are Funny to NBC, and it went on the air April 10, 1942 with Art Baker as host. In a popular first-season stunt, a man was assigned to register a trained seal at the Knickerbocker Hotel while explaining that the seal was his girlfriend.
Linkletter continued as host of the show during its run on television from September 19, 1954 to April 1, 1960. In one stunt, a contestant would win a prize if he could sustain a phone conversation with a puzzled stranger (picked at random from the phone directory) for several minutes without the other party hanging up. The series received Emmy nominations in 1955 and 1956. It finished #27 in the Nielsen ratings for the 1955-1956 season, then finished #21 for 1956-1957 and #29 for 1957-1958.
