People Are Funny is an American radio and television game show, created by John Guedel that ran from 1942 to 1960 in which contestants were asked to carry out stunts.
The series began in 1938 when Guedel made an audition recording, and the following year, his concept of a comedy stunt show aired in Los Angeles as Pull Over, Neighbor, later reworked into All Aboard. Watching a bored, unreceptive audience listening to an after-dinner speaker, Guedel scribbled, "People are funny, aren't they?" on a napkin, and he had his title.
In 1942, learning of a show that was canceled, he pitched People Are Funny to NBC, and it went on the air April 10, 1942 with Art Baker as host. In a popular first-season stunt, a man was assigned to register a trained seal at the Knickerbocker Hotel while explaining that the seal was his girlfriend.
On October 1, 1943, Baker was replaced by Art Linkletter, who continued for the rest of the series. For a memorable stunt of 1945, Linkletter announced that $1,000 would go to the first person to find one of 12 plastic balls floating off California. Two years later, an Ennylageban Island native claimed the prize.
As the popularity of the program escalated, a movie musical titled People Are Funny was released in 1946, offering a fictional version of the show's origin in a tale of rival radio producers. Phillip Reed appeared as Guedel, with Linkletter and Frances Langford portraying themselves. Also in the cast were Jack Haley, Helen Walker, Ozzie Nelson and Rudy Vallée. One outstanding moment in the film is a Spanish dance number performed by Lupe Mayorga (aka Lillian Molieri) to the song "I Love My Marimba."
The radio series moved to CBS from 1951 to 1954, returning to NBC from 1954 to 1960.
Linkletter continued as host of the show during its run on television from September 19, 1954 to April 1, 1960. In one stunt, a contestant would win a prize if he could sustain a phone conversation with a puzzled stranger (picked at random from the phone directory) for several minutes without the other party hanging up. The series received Emmy nominations in 1955 and 1956. It finished #27 in the Nielsen ratings for the 1955-1956 season, then finished #21 for 1956-1957 and #29 for 1957-1958.
Although the series ended on April 1, 1960, the network aired encores until April 13, 1961, making People Are Funny the first game show to air repeats. On March 24, 1984, a "reconstituted" version of People Are Funny with Flip Wilson as host returned to NBC where it was telecast until July 21.
The series was satirized in the 1959 Warner Bros. cartoon, People Are Bunny. The Art Linkletter character was named Art Lamplighter, and the show was entitled People are Phoney, in which contestant Daffy Duck became one of his unfortunate victims.
People Are Funny is mentioned in the "Ladies Room" episode of the series Mad Men, and later a clip from the show is seen on a TV set in the background.
Meet Corliss Archer, a program from radio's Golden Age, ran from January 7, 1943, to September 30, 1956. Although it was CBS's answer to NBC's popular A Date with Judy, it was also broadcast by NBC in 1948 as a summer replacement for The Bob Hope Show. From October 3, 1952, to June 26, 1953, it aired on ABC, finally returning to CBS. Despite the program's long run, fewer than 24 episodes are known to exist.
Priscilla Lyon and Janet Waldo successively portrayed 15-year-old Corliss on radio. Lugene Sanders also played Corliss briefly on radio and in the Meet Corliss Archer television show.
Perpetually perky, breathless and well-intentioned, Corliss is constantly at the side of her next-door neighbor and boyfriend, Dexter Franklin (Bill Christy, Sam Edwards). Clumsy, nerdy Dexter, a sweet but constant bungler with a nasal voice, is best remembered for his trademark phrase, "Holy cow!" and his braying call, "Heyyyy, Corrrrrliiiiiss!"--frequently delivered from the hedge separating their houses.
Harry Archer, Corliss' father, is a lawyer who tolerates Dexter only when he wants to use him to help flaunt male superiority. Gruff but gentle, he was played by Bob Bailey, Fred Shields, and Frank Martin. Janet Archer, Corliss' mother, was played by Irene Tedrow, Monty Margetts, and Gloria Holden. She is calm and understanding with her daughter and her husband, both of whom sometimes try her patience. Other frequent characters include Mildred Ames, a good friend of Corliss (played by Bebe Young and Barbara Whiting); Mildred's irritating younger brother Raymond (Tommy Bernard, Kenny Godkin); and Corliss' rival, Betty Cameron (Delores Crane).
Meet Corliss Archer was written by F. Hugh Herbert, who first introduced the character and her friends in the magazine story "A Private Affair," the first of a series of stories. Kiss and Tell was a 1943 play that was adapted for a 1945 film starring Shirley Temple. The 1949 sequel, A Kiss For Corliss, was re-released in 1954.
Like many other radio shows, Meet Corliss Archer made the leap to television with live performances in 1951 and 1952, and from 1954 to 1955, as a syndicated television show starring Ann Baker and Mary Brian. One of the show's unique features was the occasional cut to a comic-book-style drawing, with announcer's commentary, that illustrated the current story situation and was used several times during each episode. The program was produced by Ziv Productions.
Radio listeners had to use their imaginations to visualize Corliss, her friends, and her town. But those imaginations got a boost in 1948 when the Meet Corliss Archer comic book, published by Fox Feature Syndicate, came out in three issues from March to July 1948. Al Feldstein (Albert B. Feldstein), later the editor of Mad, was a key writer and illustrator of this short-lived comic book series, which is now remembered primarily for his artwork in general and the good girl art covers in particular. Film strips and radio microphones on the front cover indicated the tie-ins and media crossovers. Janet Waldo was depicted on the front cover twice, as herself and as Corliss.
Simon Templar is a British fictional character known as The Saint. He featured in a long-running series of books by Leslie Charteris published between 1928 and 1963. After that date, other authors collaborated with Charteris on books until 1983; two additional works produced without Charteris’s participation were published in 1997. The character has also been portrayed in motion pictures, radio dramas, comic strips, comic books and three television series.
Simon Templar is a Robin Hood-like criminal known as The Saint — plausibly from his initials, but the exact reason for his nickname is not known (although we're told that he was given it at the age of nineteen). Templar has aliases, often using the initials S.T. such as "Sebastian Tombs" or "Sugarman Treacle". Blessed with boyish humor, he makes humorous and off-putting remarks and leaves a "calling card" at his "crimes", a stick figure of a man with a halo. This is used as the logo of the books, the movies, and the 1960s TV series. He is described as "buccaneer in the suits of Savile Row, amused, cool, debonair, with hell-for-leather blue eyes and a saintly smile..."
Several radio drama series were produced in North America, Ireland, and Britain. The earliest was for Radio Eireann's Radio Athlone in 1940 and starred Terence De Marney. Both NBC and CBS produced Saint series during 1945, starring Edgar Barrier and Brian Aherne.
Many early shows were adaptations of published stories, although Charteris wrote several storylines for the series which were novelized as short stories and novellas. The longest-running radio incarnation was Vincent Price, who played the character in a series between 1947 and 1951 on three networks: CBS, Mutual, and NBC.
Like The Whistler, the program had an opening whistle theme with footsteps. Some sources say the whistling theme for The Saint was created by Leslie Charteris while others credit RKO composer Roy Webb. Price left in May 1951, replaced by Tom Conway, who played the role for several more months. His brother, George Sanders, had played Templar on film. The next English-language radio series aired on Springbok Radio in South Africa between 1953 and 1957. These were fresh adaptations of the original stories and starred Tom Meehan. Around 1965–66 the South African version of Lux Radio Theatre produced a single dramatization of The Saint. The English service of South Africa produced another series of radio adventures for six months in 1970–1971. The next English-language incarnation was a series of three radio plays on BBC Radio 4 in 1995 starring Paul Rhys.
Ellery Queen is both a fictional character and a pseudonym used by two American cousins from Brooklyn, New York—Daniel Nathan, alias Frederic Dannay (October 20, 1905 – September 3, 1982) and Emanuel Benjamin Lepofsky, alias Manfred Bennington Lee (January 11, 1905 – April 3, 1971)—to write, edit, and anthologize detective fiction. The fictional Ellery Queen created by Dannay and Lee is a mystery writer and amateur detective who helps his father, a New York City police inspector, solve baffling murders.
Ellery Queen was created in 1928 when Dannay and Lee entered a writing contest sponsored by McClure's Magazine for the best first mystery novel. They decided to use as their collective pseudonym the same name that they had given their detective. Inspired by the formula and style of the Philo Vance novels by S. S. Van Dine, their entry won the contest, but before it could be published, the magazine closed. Undeterred, the cousins took their novel to other publishers, and The Roman Hat Mystery was published in 1929.
The Roman Hat Mystery established a reliable template: a geographic formula title (The Dutch Shoe Mystery, The Egyptian Cross Mystery, etc.); an unusual crime; a complex series of clues and red herrings; multiple misdirected solutions before the final truth is revealed, and a cast of supporting characters including Ellery's father, Inspector Richard Queen, and his irascible assistant, Sergeant Velie. What became the most famous part of the early Ellery Queen books was the "Challenge to the Reader." This was a single page near the end of the book declaring that the reader had seen all the same clues Ellery had, and that only one solution was possible. According to novelist/critic Julian Symons, "The rare distinction of the books is that this claim is accurate. There are problems in deduction that do really permit of only one answer, and there are few crime stories indeed of which this can be said."
In a successful series of novels and short stories that covered 42 years, "Ellery Queen" served as a joint pseudonym for the cousins Dannay and Lee, as well as the name of the primary detective-hero they created. During the 1930s and much of the 1940s, that detective-hero was possibly the best known American fictional detective. Movies, radio shows, and television shows were based on Dannay and Lee's works.
The two writers, particularly Dannay, were also responsible for co-founding and directing Ellery Queen's Mystery Magazine, generally considered one of the most influential English-language crime fiction magazines of the last sixty-five years. They were also prominent historians in the field, editing numerous collections and anthologies of short stories such as The Misadventures of Sherlock Holmes. Their 994-page anthology for The Modern Library, 101 Years' Entertainment: The Great Detective Stories, 1841–1941, was a landmark work that remained in print for many years. Under their collective pseudonym, the cousins were given the Grand Master Award for achievements in the field of the mystery story by the Mystery Writers of America in 1961.
On radio, The Adventures of Ellery Queen was heard on all three networks from 1939 to 1948. During the 1970s, syndicated radio fillers, Ellery Queen's Minute Mysteries, began with an announcer saying, "This is Ellery Queen..." and contained a short one-minute case. The radio station encouraged callers to solve the mystery and win a sponsor's prize. Once a winner was found, the solution was broadcast as confirmation. A complete episode guide and history of this radio program can be found in the book The Sound of Detection: Ellery Queen's Adventures in Radio, published by OTR Publishing in 2002. The Adventure of the Murdered Moths (Crippen & Landru, 2005) is the first book edition of many of the radio scripts.
Helene Hanff, best known for her book 84 Charing Cross Road, was a scripter for the television series version of The Adventures of Ellery Queen (1950–1952), which began on the DuMont Television Network but soon moved to ABC. Shortly after the series began, Richard Hart, who played Queen, died and was replaced in the lead role by Lee Bowman. The series returned to DuMont in 1954 with Hugh Marlowe in the title role. George Nader played Queen in The Further Adventures of Ellery Queen (1958–1959), but he was replaced with Lee Philips in the final episodes.
Peter Lawford starred in a television movie, Ellery Queen: Don't Look Behind You, in 1971. Veteran actor Harry Morgan played Inspector Queen, but in this film he was described as Ellery's uncle (perhaps to account for the fact that Morgan was only eight years Lawford's senior, or for Lawford's English accent). This film is loosely based on Cat of Many Tails.
The 1975 television movie Ellery Queen (a.k.a. "Too Many Suspects"—a loose adaptation of The Fourth Side of the Triangle) led to the 1975–1976 Ellery Queen television series starring Jim Hutton in the title role (with David Wayne as his widowed father). The series was done as a period piece set in New York City in 1946-1947. Sergeant Velie, Inspector Queen's assistant, was a cast regular in this series; he had appeared in the novels and the radio series, but had not been seen regularly in any of the previous television versions. Each episode contained a "Challenge to the Viewer" with Ellery breaking the fourth wall to go over the facts of the case and invite the audience to solve the mystery on their own, immediately before the solution was revealed. Each episode of the 1975 television series featured a number of Hollywood celebrities. Eve Arden, George Burns, Joan Collins, Roddy McDowall, Milton Berle, Guy Lombardo, Rudy Vallée, and Don Ameche were among the guests. Richard Levinson and William Link, the creators of the series had won a Special Edgars Award for creating the Columbo and Ellery Queen TV series.
In 2011, the Leverage episode "The 10 Li'l Grifters Job", Timothy Hutton's character Nate Ford appears at a costumed murder mystery party as Ellery Queen, in a homage to the actor's late father, Jim.
Perry Mason is a radio crime serial based on the novels of Erle Stanley Gardner. Broadcast weekdays on CBS Radio from 1943 to 1955, the series was adapted into The Edge of Night which ran on television for an additional 30 years.
The 15-minute continuing series Perry Mason aired weekdays October 18, 1943 – December 30, 1955, on CBS Radio. Geared more towards action than courtroom drama, it mixed mystery and soap opera, with attorney Perry Mason sometimes even exchanging gunfire with criminals.
Erle Stanley Gardner's literary success with the Perry Mason novels convinced Warner Bros. to try its hand, unsuccessfully, with some motion pictures. However, the Perry Mason radio show stayed on the air for 12 years.
As The Edge of Night, it ran for another 30 years on television, but Gardner disliked the proposed daytime television version due to a lack of his own creative control. He ultimately withheld his endorsement of the daytime TV show, forcing the name change.
The actors portraying Mason switched frequently over the first three years of the show's run, starting with Bartlett Robinson, then followed by Santos Ortega and Donald Briggs. John Larkin took over the starring role March 31, 1947, and portrayed Perry Mason until the end of the series.
Radio's Perry Mason has more in common, in all but name, with the daytime serial The Edge of Night than the subsequent prime-time Perry Mason television show. As many radio serials moved to television, so was to be the destiny of Perry Mason. However, Gardner disagreed with the direction of the new show and pulled his support. The sponsor, Procter & Gamble hired the writers and staff of the Perry Mason radio series, the show was retooled, and it became The Edge of Night. The characters and setting were renamed. Gardner eventually aligned himself with the nighttime courtroom drama.
The Edge of Night was conceived as the daytime-TV version of Perry Mason. Mason's creator, Erle
Stanley Gardner, was to create and write the show, but a last-minute tiff between him and CBS caused Gardner to pull his support. CBS insisted that Mason be given a love interest to placate daytime soap opera audiences, but Gardner flatly refused to take Mason in that direction. Gardner would eventually patch up his differences with CBS and Perry Mason would debut in prime time in 1957.
Two actors who played Perry Mason on radio, Bartlett Robinson and John Larkin, appeared in episodes of the CBS-TV series, Perry Mason, starring Raymond Burr.
Have Gun – Will Travel is an American Western television series that aired on CBS from 1957 through 1963. It was rated number three or number four in the Nielsen ratings every year of its first four seasons. It was one of the few television shows to spawn a successful radio version. The radio series debuted on November 23, 1958.
This series follows the adventures of a man calling himself "Paladin," a gentleman gunfighter (played by Richard Boone on television and voiced by John Dehner on radio). He prefers to settle without violence the difficulties brought his way by clients who pay him. When forced, he excels in fisticuffs and, under his real name, was a dueling champion of some renown.
Have Gun – Will Travel was created by Sam Rolfe and Herb Meadow. The title was a catchphrase used in personal advertisements in newspapers like The Times, indicating that the advertiser was ready for anything. It was used this way from the early 20th century. A form common in theatrical advertising was "Have tux, will travel," and CBS claimed this was the inspiration for the writer Herb Meadow. The television show popularized the phrase in the 1960s, and many variations were used as titles for other works such as Have Space Suit—Will Travel by Robert Heinlein.
Paladin is a mercenary, a soldier of fortune, accepting commissions from people who seek to engage his services. He is not above scanning newspaper headlines to offer his services to people whose troubles find their way into print. In the parlance of chivalry, since Paladin is not attached to the service of anyone liege lord, his is "a freelance." He makes it clear that his time is all his clients hire for their particular jobs.
A "paladin" is a knight, a paragon of chivalry; a heroic champion of a cause: "like Charlemagne's fabled Roland," as the Honourable Diana Coulter (Patricia Medina) notes in "The Lady". Using this nom-de-guerre Paladin makes clear that he is motivated by a code of chivalry to act justly in a just cause. He exhibits a passion for justice as well as for the rule of law, which means that he is constantly forced to differentiate between the two concepts.
The Have Gun – Will Travel radio show broadcast 106 episodes on the CBS Radio Network between November 23, 1958, and November 27, 1960. It was one of the last radio dramas featuring continuing characters and the only significant American radio adaptation of a television series. John Dehner played Paladin, and Ben Wright usually (but not always) played Hey Boy. Virginia Gregg played Miss Wong, Hey Boy's girlfriend before the television series featured the character of Hey Girl. Unlike the small-screen version, in this medium, there was usually a tag scene at the Carlton at both the beginning and the end of the episode. Initially, the episodes were adaptations of the television program as broadcast earlier the same week, but eventually, original stories were produced, including a finale ("Goodbye, Paladin") in which Paladin leaves San Francisco, apparently forever, to claim an inheritance back east. The radio version was written by producer/writer Roy Winsor.
Many of the writers who worked on Have Gun – Will Travel went on to gain fame elsewhere. Gene Roddenberry created Star Trek, Bruce Geller created Mission: Impossible, and Harry Julian Fink is one of the writers who created Dirty Harry (the opening title and theme scene of the Dirty Harry sequel Magnum Force would feature the same Paladin-like sequence of a handgun being slowly cocked and then finally pointed toward the camera, with a line of dialogue). Sam Peckinpah wrote one episode, which aired in 1958. Both Star Trek and Mission: Impossible were produced by Desilu Productions and later Paramount Television, which also now owns the rights to Have Gun – Will Travel through its successor company, CBS Television Distribution.
This photo shows radio's Paladin, John Dehner, with TV's Paladin, Richard Boone.
Let George Do It is an American radio drama series produced from 1946 to 1954 by Owen and Pauline Vinson. Bob Bailey starred as private investigator George Valentine; Olan Soule voiced the role in 1954. Don Clark directed the scripts by David Victor and Jackson Gillis.
The few earliest episodes were more sitcom than private eye shows, with a studio audience providing scattered laughter. The program then changed into a suspenseful tough guy private eye series.
Sponsored by Standard Oil of California, now known as Chevron, the program was broadcast on the West Coast Don Lee network of the Mutual Broadcasting System from October 18, 1946, to September 27, 1954, first on Friday evenings and then on Mondays. In its last season, transcriptions were aired in New York Wednesdays at 9:30 p.m. from January 20, 1954, to January 12, 1955.
Clients came to Valentine's office after reading a newspaper that carried his classified ad:
Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine. Write full details!
The newspaper ad varied from show to show, but always opened with "Danger is my stock in trade" and closed with "Write full details!"
George Valentine was a professional detective. Valentine's secretary was Claire Brooks, a.k.a. Brooksie (voiced by Frances Robinson, then by Virginia Gregg, and then by Lillian Buyeff). As Valentine made his rounds in search of perpetrators, he occasionally encountered Brooksie's kid brother, Sonny (Eddie Firestone) or elevator man Caleb (Joseph Kearns). Police Lieutenant Riley (Wally Maher) was a more regular guest. For the first few shows, Sonny was George's assistant, given to exclamations such as "Jeepers!" but he was soon relegated to an occasional character.
John Hiestand was the program's announcer.
The background music was supplied by Eddie Dunstedter, initially with a full orchestra. When television supplanted radio as the country's primary home entertainment, radio budgets got skimpier and skimpier and Dunstedter's orchestra was replaced by an organ.
The serial came to radio as a syndicated show on New York City's WOR on February 12, 1940. On Mutual, it was broadcast from August 31, 1942, to February 4, 1949, as a 15-minute serial, running
three or, usually, five times a week. From February 7 to June 24, 1949 it ran as a thrice-weekly half-hour show. The series shifted to ABC Saturday evenings on October 29, 1949, and then returned to afternoons, twice-a-week on June 5, 1950, continuing on ABC until March 1, 1951. In all, 2068 original episodes of The Adventures of Superman were aired on American radio.
Created by Jerry Siegel and Joe Shuster, the Man of Steel first appeared in Action Comics #1 in 1938. The following year, the newspaper comic strip began and four audition radio programs were prepared to sell Superman as a radio series. When Superman was first heard on radio less than two years after the comic book appearance, the character took on an added dimension with Bud Collyer in the title role. During World War II and the post-war years, the juvenile adventure radio serial, sponsored by Kellogg's Pep, was a huge success, with many listeners following the quest for "truth
and justice" in the daily radio broadcasts, the comic book stories and the newspaper comic strip. Airing in the late afternoon (variously at 5:15pm, 5:30pm and 5:45pm), the radio serial engaged its young after-school audience with its exciting and distinctive opening, which changed slightly as the series progressed. Most familiar today is the television opening, which copied the radio opening from 1945 onward (save for "and the American Way" line, which was an even later addition) but the most-oft-heard radio opening through the mid-1940s was:
"Presenting the transcription feature, Superman." (followed by Superman's "flying" audio effect)
"Up in the sky! Look! It's a bird! It's a plane! It's Superman!"
"Yes, it's Superman--strange visitor from the planet Krypton who came to Earth with powers and abilities far beyond those of mortal men. Superman, who can leap tall buildings in a single bound, race a speeding bullet to its target, bend steel in his bare hands, and who, disguised as Clark Kent, mild-mannered reporter for a great Metropolitan newspaper, fights a never-ending battle for truth and justice."
By September 5, 1945, the opening, (repeated at the close), had morphed into:
"Faster than a speeding bullet. More powerful than a locomotive. Able to leap tall buildings in a single bound." Look! Up in the sky! It's a bird! It's a plane! It's Superman!"
That well known signature opening, one of the most famous in radio history, was delivered by Jackson Beck, the announcer-narrator for the program from 1943 to 1950. He also had recurring roles, voicing an occasional tough guy and also portraying Beany Martin, the Daily Planet's teenage copy boy. On Superman episodes featuring Batman, he played Bruce Wayne's butler, Alfred Pennyworth. Decades later, Beck portrayed Perry White, Clark Kent's boss, in Filmation's The New Adventures of Superman animated series (1966–70) in addition to serving as the show's narrator.
Just as Superman's true identity remained a secret, the identity of radio actor Bud Collyer also remained a secret from 1940 until 1946, when the character of Superman was used in a promotional campaign for racial and religious tolerance and Collyer did a Time magazine interview about that campaign.
Since there were no reruns at that time, the series often used plot devices and plot twists to allow Collyer to have vacation time. Kryptonite allowed Superman to be incapacitated and incoherent with pain while the secondary characters took the focus instead. At other times, Batman (Stacy Harris) and Robin (Ronald Liss) appeared on the program in Superman's absence.
The scripts by B.P. Freeman and Jack Johnstone were directed by Robert and Jessica Maxwell,
George Lowther, Allen Ducovny and Mitchell Grayson. Sound effects were created by Jack Keane, Al Binnie, Keene Crockett and John Glennon.
Many aspects associated with Superman, such as kryptonite, originated on radio, as did certain characters, including Daily Planet editor Perry White, copy boy Jimmy Olsen and police inspector Bill Henderson. On March 2, 1945, Superman met Batman and Robin for the first time.
Paramount's animated Superman short films used voices by the radio actors, and Columbia's Superman movie serials (1948, 1950) were "adapted from the Superman radio program broadcast on the Mutual Network".
In Australia, Superman was portrayed on radio by Leonard Teale (1922–1994).
My initial introduction to old time radio programs was probably as a child back in 1974 when my parents collected and sent away Kellogg's cereal box-tops for four LP records featuring installments of the Superman radio series. Yes, I still have these albums, they are very dear to me. They are currently framed and mounted on the wall in my home office.
People Are Funny is an American radio and television game show, created by John Guedel that ran from 1942 to 1960 in which contestants were asked to carry out stunts.
In 1942, learning of a show that was canceled, he pitched People Are Funny to NBC, and it went on the air April 10, 1942 with Art Baker as host. In a popular first-season stunt, a man was assigned to register a trained seal at the Knickerbocker Hotel while explaining that the seal was his girlfriend.
Linkletter continued as host of the show during its run on television from September 19, 1954 to April 1, 1960. In one stunt, a contestant would win a prize if he could sustain a phone conversation with a puzzled stranger (picked at random from the phone directory) for several minutes without the other party hanging up. The series received Emmy nominations in 1955 and 1956. It finished #27 in the Nielsen ratings for the 1955-1956 season, then finished #21 for 1956-1957 and #29 for 1957-1958.
